Publisher : Big Fish Audio
Website : Big Fish Audio
Format : AIFF, REX2, RMX, WAV, KONTAKT
Quality : 24 bit 44.1 kHz stereo
Description : Canyon: Cinematic Texture Guitars brings you over 6GB and 25 build kits filled with ambient and cinematic guitar sounds. With driving rhythms, steady chords, simple arpeggios, fast-paced melodies and colorful melodies, Canyon from Big Fish Audio and Sample Factory can fit perfectly into your next piece for TV, movies, documentaries, or any project requiring guitar textures with a modern touch. Canyon includes Amped and Direct Input versions for each file, so you can be sure you have full tonal control over this collection of kits.
Kontakt 5.8.0 is required to use the Kontakt 5 instrument patches
Content :
Canyon: Cinematic Texture Guitars was created using amazing vintage and legendary guitars and amps including:
– 1967 Fender Stratocaster
– Gibson Les Paul Historic ’58
– 1966 Fender Bassman Blackface
– 1974 Marshall Super Lead 1959
– Mesa Boogie Mark III
– ’70 Orange OP120
– 1967 Fender Stratocaster
– Gibson Les Paul Historic ’58
– 1966 Fender Bassman Blackface
– 1974 Marshall Super Lead 1959
– Mesa Boogie Mark III
– ’70 Orange OP120
These combinations bring you 100% authentic tone that cannot be beat.
Canyon: Cinematic Guitar Textures has been formatted in all the industry standard file types: Apple Loops, Acidized WAV and REX. Every piece of commonly used hardware and software will be compatible with at least one of these fully developed and usable formats.
Each audio file has been expertly cut and edited to loop perfectly, and has been recorded in the highest quality 24-bit rate to ensure absolutely top quality end results.
If you work primarily with Apple products, be sure to utilize the extra loop tagging functionality in Garageband and Apple Logic as well as Apple’s proprietary time stretching and pitch bending algorithms.
If you work primarily with Apple products, be sure to utilize the extra loop tagging functionality in Garageband and Apple Logic as well as Apple’s proprietary time stretching and pitch bending algorithms.
If you’re working inside Protools, Cubase, Fruity Loops, Ableton Live, Sony ACID, or any other DAW on the market, the Acidized WAV files are the perfect fit for time stretching and pitch bending capabilities. The Acidized WAV files can also be used as standard WAV files in almost any music tool in production today.
Beat-makers and artists who love sampled melodic slices can take advantage of our REX/RMX format that utilizes all the powerful programming found in Stylus RMX and the Dr. Octo REX player in Propellerheads Reason.
Beat-makers and artists who love sampled melodic slices can take advantage of our REX/RMX format that utilizes all the powerful programming found in Stylus RMX and the Dr. Octo REX player in Propellerheads Reason.
