In Session Audio – Soundtrack Acoustic Guitar Vol.2: Nylon String Edition (WAV, REX, AIFF, RMX, KONTAKT)

By | November 3, 2023

 

Publisher: In Session Audio
Website: insessionaudio.com
Format: WAV, REX, AIFF, RMX, KONTAKT
Quality: 24 bit | 44.1 kHz | stereo


Description :
Soundtrack Acoustic Guitar Vol 2 is a library cycle featuring an array of emotive chords, progressions and single line melodies designed for those who want to add expressive and subtle acoustic guitar playing to their music. Consisting of all new material performed on nylon string guitars, the collection has a contemporary sound with influences from classical, Spanish, jazz and other musical genres. With understated yet memorable performances, Soundtrack Acoustic Guitar Volume 2 can help build the foundation of a track or add the perfect touch to the final blend.

Additional Information :
Soundtrack Acoustic Guitar Vol 2: Nylon String Edition is a loop library featuring an array of emotive chords, progressions and single line melodies, designed for those wanting to add expressive and delicately played acoustic guitar to their music.

Consisting of all new material performed on a nylon string guitar, the collection has a contemporary sound with influences from classical, Spanish, jazz and other musical genres.
With restrained yet evocative performances, Soundtrack Acoustic Guitar Vol 2 can help build the framework of a track or add the perfect flourish for a final mix.

PRODUCER’S NOTES
“We continued with the layout we developed for Soundtrack Acoustic Guitar Vol 1: lots of parts for each suite plus the option to combine melodic lines with chordal passages for a “two player” sound.
We cover a broad range of feels in this collection through the use of Major and Minor keys, a variety of tempos and meters, and a host of emotional settings. Suites go from wistful, to ceremonial, to laid-back feel-good, to many others.

We used a cedar top classical guitar with nylon “recording strings” to minimize string noise. Depending on the suite, recordings were either made with a pair of Neumann KM184 cardioid condenser microphones or a KM184 with a Royer 122 ribbon microphone. Everything was recorded through a Benchmark PRE420 preamp.”


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