Release Date: October 5, 2026
Version: 1.0.23
Developer: Jun Murakami
Developer Website: https://jun-murakami.web.app/synth-80
Format: STANDALONE, VSTi3, AAX
Bit Depth: 64-bit
Crack: Included
System Requirements: Windows 10
- 54.2 MB
Description:
The world’s only—and best—JUPITER emulation that accurately reproduces the legendary MKS-80.
Overview:
The Roland MKS-80 SUPER JUPITER is a legendary synthesizer that was produced for a brief period starting in 1984. Often overshadowed by popular keyboard instruments like the JUPITER-8, this 8-voice polyphonic analog synthesizer boasts not only exquisite sound but also a remarkable feature: almost all of its parameters can be controlled via MIDI.
For a fully analog synthesizer of that era, this was exceptionally rare, making the MKS-80 an ideal subject for software synthesizer research. In other words, it is easy to create automated measurement programs that repeatedly play notes while automatically adjusting parameters and recording the results for subsequent analysis. For this project, I wrote over 100 specialized automated measurement programs covering all the MKS-80’s circuits and parameters.
This long-term, detailed analysis of the MKS-80 (Revision 4) was conducted in parallel with the software development. I pushed the audio engine’s tuning to the limit, relying on the ear I have honed over years of work as a composer and music producer. As a result, when you load the same patch onto both devices and play them simultaneously, it is often virtually impossible to distinguish the software-generated sound from the hardware original.
From the nuanced characteristics of the filters to noise generators capturing the subtle quirks of integrated circuits, the sound texture—recreated with meticulous attention to detail—elevates hardware emulation to a new level.
A simple, streamlined user interface
This synthesizer was developed based on a concept distinct from general-purpose software synths with complex modulation matrices. Its primary goal is not merely to replicate hardware, but to demonstrate how simple and engaging sound design can be. This vision is realized through a straightforward interface that strips away unnecessary clutter and displays all parameters on a single screen.
This philosophy was inspired by Daichi’s “Synth1,” and the simple name follows that same tradition. A feature unique to software—ideal for beginners—is that hovering the mouse over a parameter highlights the corresponding module, making the signal routing (which module connects to which) instantly visible.
Not a “lightweight” synth, but a powerhouse sound
Due to the sophisticated modeling of even the finest details, this synthesizer is demanding on CPU resources—a trade-off for its exceptional sound quality. Please do not judge it solely by the browser-based version on this page; be sure to install the demo in your DAW to experience it fully. In return, we promise a sound that justifies the price.
The built-in effects are so well-crafted that you will want to use them independently. In fact, the Synth-80 effects section can be isolated and used as a standalone audio effect plugin. The chorus—a crucial element of the synthesizer sound—is represented by four distinct models:
Synth Chorus
An emulation inspired by the built-in chorus circuits of synthesizers like the Roland JUNO-60/106, featuring a distinctive character—including a rotary-like sound when playing multiple notes.
Studio Chorus
An emulation of the legendary Roland Dimension D chorus. Its low-frequency algorithm blends with any sound to create a natural, sophisticated sense of stereo width.
Pitch Chorus
A chorus inspired by Eventide synthesizers, generating width via delay lines tuned to two slightly different pitches.
Digital Chorus
The most parameter-rich chorus option, allowing you to fine-tune a wide range of elements to achieve the exact texture you desire.
Additionally, the reverb—featuring distinct Hall, Plate, and Room algorithms—and the compressor (utilizing the unmodified ZeroComp algorithm) provide powerful tools for your sound design.
