Publisher: Channel Robot
Website: kontakthub
Format: KONTAKT 5.8.1+ PLAYER
Quality: 24 bit 44.1 kHz stereo
Description : Orchestral Dust is a two-voice rompler designed to receive orchestral pads and sound accompaniment. Orchestral Dust uses version 2.5 of our innovative AGRA granular engine and offers a new approach to sound generation using granular synthesis and produces really different and unique sounds, but always in the “orchestral” domain.
Orchestral Dust includes 12 different multi-sampled orchestral instruments – and each has a set of articulations and ensemble sizes.
Orchestral Dust gives you independent maximum playback control for each voice. You can select the gain (volume), audio file position, and pitch of each sound grain, and in each of these, you can set up your own loops to modulate and develop the sound.
Orchestral Dust also includes many “classic” synthesis controls such as attack, release and filtering, as well as a set of classic granular engine controls such as garnules size (length), their density (speed), stereo spread (width) . All of these options add to the ability to create unique evolving sounds for your orchestral accompaniment.
Along with these features, Orchestra Dust has a powerful set of track effects. There is an effects rack to send (with 4 different slots). There are also 4 convolutional spaces for each voice, overheads, room, studio and hall. Our innovative and powerful tempo-locked gate system extends the conventional (volume-based) trans-gating approach by adding additional gate effects using things like different filter types and distortion effects.
We’ve also included our innovative “scene” controls – you set up three “scene” or volume, pan and pitch keys in each voice and use the mix control to move between them. We’ve even added our Drift engine for subtle pitch drift.
New in version :
A new wider, more spacious GUI layout
Simplified granular controls with intelligent parameter management to allow faster access to usable and useful sounds
A tweaked AGRA(granular) engine to be better suited to the orchestral sounds contained here
The addition of 4 effects slots per voice, with each slot populated from a set of 20 different effects
90 new convolution spaces
Additional Octave Models
Assignable CC for swell and fade control
“Walk” function for ever changing output
Voice Browser with select-able “favouriting”
