Year of manufacture : – 2007
Version : See description
Developer : White Noise Audio Software
System requirements : Windows 7 +
Format : VST, VSTi
Bit depth : 32bit
Tabletka : not required
Description : All products of White Noise Audio Software in one place!
1. Additive Synth v1.31.
Features :
– 2 Spectral Oscillators.
– 128 partials per oscillator.
– Each oscillator has 128 “time frames” to allow sounds to evolve and change over time.
– FM capabilities.
– Ringmod, compression, reverb, distortion and chorus / delay.
– 2 Envelopes which can modify any parameter.
– 2 LFOs with multiple wave shapes, including arp patterns.
– Unison effects to phatten up any sound.
– 128 Band formant filter or noise spectrum.
– Can act as a 128 band vocoder.
– Formant filter has 128 time frames to allow changes over time.
– Formant Bias parameter also allows formant filter sweeps similar to sweeping the cutoff on an analog synth.
– Flexible mod section.
– On screen XY-Pad allows you to modulate parameters easily.
– Packaged with 128 presets plus dozens of waveforms and filters to make your own sounds with or create your own.
– Visually draw your own waveforms and spectral changes, similar to products like MetaSynth and Coagula.
– Draw your own filters.
– Average patch uses 20% for a 3 note chord on a 1.6 GHz P4 and can be used more or less depending on the settings of the number of partials, oscs, and whether reverb and delay are turned on.
– Captures the unique and sought after sound of the Kawai K5000.
– A programmers heaven, this synth will let you create almost any time of synthesized sound.
– 2 Spectral Oscillators.
– 128 partials per oscillator.
– Each oscillator has 128 “time frames” to allow sounds to evolve and change over time.
– FM capabilities.
– Ringmod, compression, reverb, distortion and chorus / delay.
– 2 Envelopes which can modify any parameter.
– 2 LFOs with multiple wave shapes, including arp patterns.
– Unison effects to phatten up any sound.
– 128 Band formant filter or noise spectrum.
– Can act as a 128 band vocoder.
– Formant filter has 128 time frames to allow changes over time.
– Formant Bias parameter also allows formant filter sweeps similar to sweeping the cutoff on an analog synth.
– Flexible mod section.
– On screen XY-Pad allows you to modulate parameters easily.
– Packaged with 128 presets plus dozens of waveforms and filters to make your own sounds with or create your own.
– Visually draw your own waveforms and spectral changes, similar to products like MetaSynth and Coagula.
– Draw your own filters.
– Average patch uses 20% for a 3 note chord on a 1.6 GHz P4 and can be used more or less depending on the settings of the number of partials, oscs, and whether reverb and delay are turned on.
– Captures the unique and sought after sound of the Kawai K5000.
– A programmers heaven, this synth will let you create almost any time of synthesized sound.
2. DoppelMangler v1.1
Features :
– Timestretch, reverse, reorder and remix your sounds by visually redrawing their timeline.
– Apply one of 20 different nondestructive MangleFX to the spectrum of the sound. These will let you do vocoding, frequency shifting and scaling, robotizing, hybridizing and more!
– Import images (in .BMP) and convert them to sounds. Export a .WAV file as a .BMP and re-import the .BMP to get back the original sound. Now you can visually edit the spectrum of a sound on a PC.
– Morph between two sources
– Use up to 256 partials (partials are the basic components of any sound) per voice.
– Utilize a full FX section – Phaser, Chorus / Flanger / Delay and Distortion / Wavewarper.
– Modulate your sounds using time-syncable envelopes that can also be used as LFO’s.
– Timestretch, reverse, reorder and remix your sounds by visually redrawing their timeline.
– Apply one of 20 different nondestructive MangleFX to the spectrum of the sound. These will let you do vocoding, frequency shifting and scaling, robotizing, hybridizing and more!
– Import images (in .BMP) and convert them to sounds. Export a .WAV file as a .BMP and re-import the .BMP to get back the original sound. Now you can visually edit the spectrum of a sound on a PC.
– Morph between two sources
– Use up to 256 partials (partials are the basic components of any sound) per voice.
– Utilize a full FX section – Phaser, Chorus / Flanger / Delay and Distortion / Wavewarper.
– Modulate your sounds using time-syncable envelopes that can also be used as LFO’s.
3. Zero Vector v1.1
Zero Vector is a unique combination of Virtual Analog synth, ROM Wavetable Synth, and Vector Synth.
Features :
– 3 Oscillators with ‘Clone’ control. Clone creates a detuned copy of the osc, effectively making ZV a 6 osc synth.
– Unique vector pad to control mixing between 3 OSC’s. Includes the ability to record vector motions and have them play back with each note
– Standard Saw, Square, Triangle, Square waves along with dozens of more exotic ones like enharmonic waves, metallic tones, noise, sampled strings, and more.
– Great analog style filters. Standards like LP, BP, HP, Notch, plus unique Vocal Filters. Filters can be overdriven and feature selectable distortion effects.
– Sync, FM, and Ringmod
– 2 visually drawable Multi Env’s. As well as LFO’s of any shape.
– Mod matrix
– FX Section – Distortion, Chorus, Phaser, Reverb, EQ and Delay per patch
– XY Pad for on screen control of modulation
– Poly Unison mode for extreme phatness – up to 6 detuned voices may be stacked on each note.
Features :
– 3 Oscillators with ‘Clone’ control. Clone creates a detuned copy of the osc, effectively making ZV a 6 osc synth.
– Unique vector pad to control mixing between 3 OSC’s. Includes the ability to record vector motions and have them play back with each note
– Standard Saw, Square, Triangle, Square waves along with dozens of more exotic ones like enharmonic waves, metallic tones, noise, sampled strings, and more.
– Great analog style filters. Standards like LP, BP, HP, Notch, plus unique Vocal Filters. Filters can be overdriven and feature selectable distortion effects.
– Sync, FM, and Ringmod
– 2 visually drawable Multi Env’s. As well as LFO’s of any shape.
– Mod matrix
– FX Section – Distortion, Chorus, Phaser, Reverb, EQ and Delay per patch
– XY Pad for on screen control of modulation
– Poly Unison mode for extreme phatness – up to 6 detuned voices may be stacked on each note.
4. Memory v1.0
Memory is a buffer repeat / phrase sampler effect. Memory allows you to loop incoming audio (in forward and reverse), change the loop size on the fly, and filter it, all while staying locked to the tempo. Memory is also their first plugin to offer native support for the P5 Data Glove which should excite people looking for creative / alternative control methods.
5. Miasma v1.0
Miasma is a Room Reverb effect.
Controls :
– Room Size.
– Predelay.
– Low / High Cut.
– Stereo.
– Rev / Dry Levels.
Controls :
– Room Size.
– Predelay.
– Low / High Cut.
– Stereo.
– Rev / Dry Levels.
link doesn’t work
the link has been updated