A package of high-quality plug-ins from Voxengo. Contains:
AnSpec v1.0
AnSpec is an analyzer of the frequency spectrum, made in analogue style. Basically, this plug-in was created for those who fell in love with good old analog frequency analyzers for their simplicity and ease of use.
Features:
1/3-octave frequency spectrum analyzer.
Work with both stereo and mono signal.
Peak display.
Support for all sampling frequencies.
Ability to change the size of the plugin window.
Absence of any delay.
1/3-octave frequency spectrum analyzer.
Work with both stereo and mono signal.
Peak display.
Support for all sampling frequencies.
Ability to change the size of the plugin window.
Absence of any delay.
Beeper v2.5
Beeper is an auxiliary plug-in, with which you can insert short beeps into your project.
This will help protect your material from theft. This plug-in is safe to use for critical material, because it does not affect the sound of audio between the buzzer signals. (Now it includes the effects of “noise” and “mute”).
This will help protect your material from theft. This plug-in is safe to use for critical material, because it does not affect the sound of audio between the buzzer signals. (Now it includes the effects of “noise” and “mute”).
BMS v2.1
BMS (Bass Management System) is designed to isolate the low-frequency component from multi-channel surround sound. Formats up to 7.1 are supported. Adjust the cutoff frequency and the slope of the low pass filter. Processing is 64-bit, all sampling rates are supported.
Crunchessor v2.8
Crunchessor is a multi-purpose track compressor for use in the professional production of sound recordings. One of its main advantages is the ease of tuning, which, at the same time, instantly provides an excellent sound. Another notable feature of Crunchessor is its algorithm for simulating lamp processing, which is performed simultaneously with compression. All this makes Crunchessor an ideal choice for musicians and producers, who are attracted by the sound of analog compression with its warmth.
In addition, Crunchessor provides you with a choice of color styles for the sound of the compressor, which in itself is quite a unique feature for the compressor. By choosing the appropriate color style, you can bring a special character to the sound most suitable for the sound material that you work with. Alternatively, you can turn off both the color and the tube simulation to get a clean, neutral compressor sound.
Being a multipurpose compressor, Crunchessor can be used for processing any kind of sound material, be it: drums, vocal, bass, guitars, synthesizers, etc. Crunchessor can be used both for processing individual tracks and for processing the combined material. A complete multi-channel operation of the compressor is also possible. Crunchessor is able to use external side-chain signals as a key signal, and also allows you to filter the sources of the key signal before they are used for compression.
CurveEQ V3.1
A high-quality equalizer, operating with splines as curves, can switch between linear-phase and minimum-phase modes, has a configurable spectrum analyzer. In CurveEQ, a spectral comparison technology is implemented that allows you to copy the frequency balance of the reference track to the mixes that are in operation to further improve their sound. Also this technology helps with mastering, as it allows to reduce the essential difference in the frequency balance between different tracks.
Deft Compressor v1.4
Deft Compressor – has a threshold level control, compression ratio, output level, response time and recovery (S-shaped functions are used), input and output level indicators, and suppression level.
There is a mode for simulating lamp compressors (a small saturation is added), a preset manager, a context help function. Multi-channel processing, internal switching of channels, automatic level compensation are possible. A zero delay is declared.
Processing 64-bit floating-point, using eight-fold oversampling.
There is a mode for simulating lamp compressors (a small saturation is added), a preset manager, a context help function. Multi-channel processing, internal switching of channels, automatic level compensation are possible. A zero delay is declared.
Processing 64-bit floating-point, using eight-fold oversampling.
Drumformer v1.2
Drumformer is a multi-band dynamic processing plug-in for use in the professional production of sound recordings. Drumformer was designed to create a comprehensive solution for a wide range of tasks related to audio processing, allowing you to easily implement almost any dynamic processing.
Drumformer can work in broadband, 2-way and 3-band modes, each of which has expansion and saturation compressor modules. The compressor can be described as a “binder”, because it creates a “tight and glued together sound,” and at the same time confidently emphasizes the transients. The saturation module offers a choice between six modes, each of which has a soft sound and a harmonic component that is different from each other.
Also, the Drumformer feature is an accurate gate module with rounded sound and multi-faceted control, which will be useful for processing multi-track drum kit tracks. A built-in equalizer with a spectrum analyzer is also useful in the work. The Clipper module allows you to get a professional clip-off effect on the output
Elephant v3.9
Elephant – a limiter for mastering in the VST plug-in format for professional music creation programs. The most notable feature of it is transparency in working with sound. Elephant limits sound and increases volume without audible audio artifacts.
Elephant has various limiting modes that can be carefully tuned, and a full set of tools for level measurement, including volume counting and K-metering. The built-in linear-phase oversampling of Elephant is an important element in achieving a highly effective counter with peaks and increasing the volume.
Limiter Elephant can be used in intelligence and mastering in stereo or multi-channel audio material, with any standard of sampling frequency. The process of limiting is displayed on the graphs in real time. Elephant also has a DC offset filter function, and a high-quality bit-converter with noise-shaping option.
GlissEQ v3.6
GlissEQ is a five-band parametric dynamic equalizer – the band level varies depending on the program material.
There are five types of filters, frequency, Q, level and level control for each band, The ability to individually listen to the bands, the controller of the general output level, the button for disabling the equalizer, the ability to compare the two settings, the mode of enhanced performance.
Stereo and mono signals of any sampling frequency are supported, internal processing is 64-bit.
Presets are attached.
Presets are attached.
HarmoniEQ v2.2
HarmoniEQ is a parametric equalizer that boosts harmonics in audio material. HarmoniEQ applies harmonic saturation to the sound of audio material improving the sound quality. It also contains a dynamic EQ mode, offering a huge palette of sound shaping capabilities, suitable for mastering.
Easy setup was the main goal when developing the plug-in, so HarmoniEQ has a single interface for adjusting the equalizer curve. Thanks to this, the equalizer is easy to use, just drag the control points to wherever you need. You can use up to 7 parametric filters, with a selectable filter type peak, low-shelf, high-shelf, low-pass, high-pass and notch.
Another useful feature of HarmoniEQ is the frequency range up to 38 kHz. Such a wide range makes it easy to add “air” to the sound material.
Latency Delay v2.2
Latency Delay is a plug-in for delay compensation, which is created by modular VST plug-ins and tools in real time, but information about which is not transmitted to the host application.
Latency Delay itself introduces a delay of 10,000 counts and delays the audio signal by “10,000” minus the “specified sample value”.
It should be noted that the audio application must support delay compensation. This plugin is just an auxiliary plugin and should be used together with other plugins.
LF Max Punch v1.4
Virtual enhancer of low frequencies.
The plug-in divides the signal into two frequency bands and applies processing only to the low-frequency band: dynamic selection of the range in the area of the selected frequency and soft distortion (two modes).
The plug-in divides the signal into two frequency bands and applies processing only to the low-frequency band: dynamic selection of the range in the area of the selected frequency and soft distortion (two modes).
In addition, you can mix the result of the synthesizer of low-frequency subharmonics and use compression.
Multi-channel processing, internal switching and channel grouping, MS-processing are supported. 64-bit floating-point processing is used, perhaps an eightfold oversampling.
Marvel GEQ v1.2
Marvel GEQ – free linear-phase 16-band graphic equalizer with support for multi-channel signal processing. This plugin allows sound engineers and musicians to quickly and without any problems to process a particular instrument or the mix itself as a whole. Line-phase filtering, developed in this plug-in, is well suited for equalization, when ultimately you need to get high quality and excellent sound characteristics.
Features:
16 bands.
“Freehand drawing” mode.
Linear-phase equalization.
The gain / suppression of the frequency on each equalizer band is +/- 12 dB.
Stereo and multichannel processing.
Ability to create groups of individual channels.
Mid / side processing.
Processing the signal in 64-bit floating point.
Manager of presets.
Undo and undo canceled action (undo / redo).
The ability to compare two settings (A / B).
Tooltips.
Support for all sampling frequencies.
Delay of nine milliseconds when processing the channel.
16 bands.
“Freehand drawing” mode.
Linear-phase equalization.
The gain / suppression of the frequency on each equalizer band is +/- 12 dB.
Stereo and multichannel processing.
Ability to create groups of individual channels.
Mid / side processing.
Processing the signal in 64-bit floating point.
Manager of presets.
Undo and undo canceled action (undo / redo).
The ability to compare two settings (A / B).
Tooltips.
Support for all sampling frequencies.
Delay of nine milliseconds when processing the channel.
MSED v2.4
The MSED is an intermediate / lateral encoder / decoder that encodes (divides) the incoming audio signal into two components: middle / side or alternatively to a mono / stereo pair and vice versa: decodes the middle / side signal pair into a stereo signal.
MSED can also work in streaming mode, which allows you to configure the gain of the middle and side channels without the serial connection of two MSED plug-ins.
OldSkoolVerb v2.0
OldSkoolVerb is a free algorithmic reverb for professional audio applications. This module implements a kind of “classic” stereo reverberation algorithm, which is technically simple but optimal. It also produces a very clear spatial image that blends well with the mix.
OldSkoolVerb offers you a complete set of parameters, allowing you to achieve various reverb effects, ranging from room reverb to room reverberation. OldSkoolVerb is best suited for unstressed and soft-armed sounds such as vocals, pianos and pads.
Overtone GEQ v1.10
Overtone GEQ is a seven-band (seven-harmonic) graphic equalizer with multichannel support (up to 8 I / O channels, depending on the host, if you use a host application that complies with VST specifications below version 2.3, only 2 channels will be available). Overtone GEQ offers enhanced capabilities for internal routing of channels and supports processing at the stage of routing.
Before the equalization, Overtone GEQ applies advanced processing of harmonics. That’s why Overtone GEQ comparatively heavily loads the CPU – the program uses seven modules to process harmonics for each equalizer band. As a result, a complex harmonic coloring of the sound is obtained, which you may very much like.
Since Overtone GEQ uses an equalization method based on the use of the envelope frequency in the form of a bell (Gaussian distribution) – when you truncate / raise a certain frequency – the actual effect of the effect may be stronger than you think, according to visual settings.
Overtone GEQ complies with VST version 2.4 specifications, therefore it can operate completely 64-bit data (if it is supported by the host).
Overtone GEQ complies with VST version 2.4 specifications, therefore it can operate completely 64-bit data (if it is supported by the host).
PHA-979 v2.3
PHA-979 is designed to arbitrarily shift the phase of the program material. Using linear-phase principle allows to restore the original signal without changes. Processing mono stereo and stereo stereo. There are separate phase controls for each channel, a function for comparing settings, two processing quality modes. Sample rates up to 96 kHz are supported.
Polysquasher v2.4
Unobtrusive compression is the cornerstone for any mastering compressor. Stealth is necessary to preserve all the existing nuances in the mix, while compression in itself is necessary in order to make the mix sound homogeneous with other tracks and, in addition, make the sound more dense.
Voxengo Polysquasher was created precisely with this idea. It offers compression with a high level of control and a minimum of user-adjustable parameters. The effect of such compression at first time can disorient, since. It is significantly different from other compressors.
Soniformer v3.3
Soniformer – mastering multi-band compressor / expander with graphical control, allowing to achieve the required spectral balance.
Processing parameters are determined by means of a graphic envelope, which can have up to sixteen key points (there is a function of attracting points to the centers of the nearest frequency bands). It is possible to use weighting factors (it can be useful when adjusting parameters along the edges of the spectrum). It is possible to convert a normal stereo signal to the MS, process it in this mode, and reverse the conversion. There is a 32-band spectrum analyzer (with a switchable update rate). Processing is 64-bit, sample rates up to 192 kHz are supported.
Sound Delay v1.4
Sound Delay – an additional multi-channel plug-in for audio delay. In Sound Delay, you can define a delay in milliseconds or in samples with a high level of accuracy. This plugin “being technical” only performs the basic function of delay without feedback or modulation. Also, internal mid / side encoding / decoding and independent delay of the middle and third channels are possible.
Capabilities:
Exact sample sampling
Exact delay in milliseconds
Total delay up to 3 seconds
Multi-channel processing
Internal circuit switching
Channel Grouping
Medium / Third-Party Processing
Manager of presets
History
A / B Comparison
Context clues.
The Sound Delay plug-in replaces the previously available Audio Delay and Sample Delay plug-ins from Voxengo.
Exact sample sampling
Exact delay in milliseconds
Total delay up to 3 seconds
Multi-channel processing
Internal circuit switching
Channel Grouping
Medium / Third-Party Processing
Manager of presets
History
A / B Comparison
Context clues.
The Sound Delay plug-in replaces the previously available Audio Delay and Sample Delay plug-ins from Voxengo.
SPAN v2.4.1
SPAN is a real-time spectrum analyzer that uses the “fast Fourier transform” algorithm (fast Fourier transform – time-slicing algorithm). Basically it is based on the plug-in “Voxengo GlissEQ” (dynamic parametric equalizer), actually from which the spectrum analyzer itself was taken.
Stereo Touch v2.5
Stereo Touch is used to add a stereo effect to audio tracks and samples. It works most effectively with “monolithic” mono sounds, etc. This effect generates a stereo stream from the mono stream. It also processes stereo streams, but both channels are processed independently from each other, as if they are mono streams, and then the two resulting stereo streams are mixed into one stereo stream.
TransGainer v1.4
TransGainer is a plug-in that is suitable for a wide range of tasks in the field of professional sound processing. The plug-in implements an algorithm that reacts to transients, and not to the volume of the signal. This algorithm allows you to customize the attack and sustain of any sound, and was designed for a variety of audio material.
Tube Amp v2.4
Tube Amp is an audio effect plug-in that uses an asymmetric triode overdrive amplifier. The sound that this plug-in produces varies from a moderate “warm” overdrive to gross distortion. Before that, the Tube Amp includes a low-pass filter of -6dB / octave, which is built into the equation of the plug-in valve simulation, and can be used to emulate a lower-quality triode amplifier.
Tube Amp also has all the standard features of Voxengo, such as full multi-channel processing and built-in oversampling.
Features:
Overdrive asymmetric triode amplifier.
Multichannel processing.
Internal routing of channels.
Grouping channels.
Mid / side processing.
Oversampling up to 8x.
64-bit floating-point processing.
The manager of presets.
The history of canceling / repeating the last operation.
A / B comparison.
Contextual tooltips.
Overdrive asymmetric triode amplifier.
Multichannel processing.
Internal routing of channels.
Grouping channels.
Mid / side processing.
Oversampling up to 8x.
64-bit floating-point processing.
The manager of presets.
The history of canceling / repeating the last operation.
A / B comparison.
Contextual tooltips.
VariSaturator v1.10
Plug-in for making sound rich. Can be used as a (harmonic) maximizer. The plugin is equipped with two working modules: one is responsible for cascading sound separation, the other softens the first change made (digital waving).
Voxformer v2.7
Voxformer is a multi-functional vocal plug for professional audio applications. Combining several professional processing modules, Voxformer is designed to become a complete solution for vocals – be it ordinary speech or singing.
The best function in Voxformer is a vocal compressor with one regulator. Using only one controller, you can get a tight, open and professional sound of vocals with excellent articulation in the shortest possible time. You do not have to worry about controlling the ratio and make-up gain parameters, because they are automatically matched with an advanced compression algorithm, while the attack and release parameters are stored in compressor mode presets. In addition, Voxformer includes two more of the same compressor, which allows you to apply compression in two bands (two-band) or in two stages (serial).
Voxformer also has a function de-esser with the ability to select the center frequency and threshold. Also there is a multi-band noise gate, like a compressor, was designed to simplify the settings, while providing excellent sound transmission results. For those who like a rich vocal sound, Voxformer contains a special module that makes soft saturation. Another useful feature in Voxformer is the presence enhancement module, which adds a bit of shine and space to the vocals.
The final touch of Voxformer is a flexible, easy-to-learn 5-band parametric equalizer (with pre / post selection) with a real-time spectrum analyzer (FFT).
Warmifier v2.0
Warmifier – a plugin that simulates the sound processing of lamp devices. Allows to give it a characteristic “warmth”.
