Tag Archives: vst

D16 Group – Nepheton v1.4.4 (VST AU) [MAC OSX]

By | October 18, 2016

Nepheton is an emulation of the classic Roland TR-808 drum machine taking its sound a step further with all the original functions and many additional features. Full features: 17 fully synthesized instruments. Perfectly scaled knob ranges. Enhanced control of instruments’ sounds. Dynamic signal routing from instruments to outputs. User defined output configuration. Mute/solo for each instrument (affect triggering… Read More »

LinPlug Octopus v1.3.1 (VST AU) [OSX Intel]

By | October 18, 2016

LinPlug Octopus – samples and synthesizer hybrid modulation frequency. Synthesis samples may be formed based on the 10 initial and final modulation points 8, 8 additive oscillators using waveforms, user-defined or formed based on the already finished samples. Two multi-mode can also be used as a filter FM FM modulation sources. This lets you adjust parameters such as… Read More »

Novation – V-Station v1.7 (AU VST) [MAC OSX]

By | October 18, 2016

Plug-in V-Station format Audio Units (Mac) is made on the basis of a series of K-Station tools and uses the same analog synthesis Liquid Analog modeling technology. There are 200 preset and 400 user patches that are compatible with A-Station, and K-Station. Characteristics: – Three oscillator (able to produce almost all the classic waveforms of the sine to… Read More »

Kong Audio – ChineePiPa v1.4.5 (VSTi) [Win x86]

By | October 18, 2016

Pipa (Chinese Lute) has its origin dated back to the Qin Dynasty (221-206BC). As Pipa evolved, it was heavily influenced by Persian culture during the Tang Dynasty (618 – 907 AD) when the two great civilizations crossed over with each other, and became one of the most popular instruments in China ever since then. As Pipa prospered in… Read More »

Synapse Audio Dune v1.3 (VST AU) [MAC OSX]

By | October 18, 2016

DUNE is a subtractive/virtual-analog type synthesizer which introduces new, innovative features. The differential unison engine (DUNE) takes the concept of subtractive synthesis to the next level, by allowing full control of each unison voice. This greatly extends the range of possible sounds, reaching deep into FM and Wavetable synthesis. Whether you’re looking for lush pads, fat basses, punchy… Read More »

Meldaproduction – Mdrummer 4.00 Large (STANDALONE VST VST3) [Win x86 x64]

By | October 18, 2016

MDrummer – is highly sophisticated percussion workstation that combines all the features of all of current products on the market in one tool. incredible sound and rhythm systems provide everything you might need! Not just a sampler, synthesizer, not only … It is more versatile, can play acoustic jazz swing with brushes, bossa nova, pop, r’n’b, drum’n’bass …… Read More »

discoDSP – Vertigo v2.6 (VST) [Win x86]

By | October 18, 2016

Additive synthesizer Overview 64-bit Audio Units and VST support. 32-bit Audio Units, VST support. Up to 16 voices polyphony. WAV PCM analysis and bitmap import. 1024, 2048, 4096, 8192 FFT frame sizes. 4 Windows: Bartlett, Hamming, Hanning and Blackman. Envelope 256 breakpoints parabolic envelopes with stage slope control. Oscillators Euler generated (Max: -120dB s/noise ratio) (no wavetables used).… Read More »

ReFX – PlastiCZ v1.1.0 (VST) [Win OSX]

By | October 17, 2016

PlastiCZ sounds different. With two phase-morph oscillators and AM you can coax completely new sounds from PlastiCZ. PlastiCZ has a simple and clearly arranged user interface, the individual modules are differently coloured from each other and all parameters are always accessible. Ten insert-effects give that certain extra to the sounds and offers further possibilities for extravagant sounds. Feature… Read More »

QuikQuak – Glass Viper v1.20 (AU VST) [OSX Intel]

By | October 17, 2016

Glass Viper is a synthesizer with unique waveform shaping, that has a deep and natural sense of movement. Going beyond analogue simulation, into a truly organic sound, from simple old synths to grungy filthy basses, or delicate pianos to strange unnatural film effects. Instead of taking a sample or oscillator and applying just filters and FX techniques, Glass… Read More »

Way Out Ware – TimewARP2600 v1.4.1 (VST RTAS) [Win x86]

By | October 17, 2016

TimewARP 2600 is an emulation of the classic ARP 2600 analog synthesizer. Synth Features: 3 VCOs – all capable of generating audio band and Low Frequency (LF) signals. 1 Lo-Pass Resonant Filter – supports variable-depth self-oscillation and audio band and LF control modulation. 1 Sample & Hold – driven by either an internal, external, or MIDI Beat Clock.… Read More »

Way Out Ware – KikAXXE v1.1 (VST RTAS) [Win x86]

By | October 17, 2016

KikAxxe is a faithful emulation of the ARP Axxe analog synthesizer that descended from the venerable ARP 2600 in the mid ’70s. Play it from a MIDI controller or the integral Sequencer +, an emulation of the ARP step sequencer that contributed to the signature sound of artists like The Who, Depeche Mode, 808 State, Vince Clarke, Jean-Michel… Read More »

ConcreteFX – Kubik v2.5 (VST) [Win x86]

By | October 17, 2016

Kubik is a wavetable sequencer synthesizer that can create a vast array of sophisticated moving sounds by moving through a wavetable of 64 waveforms, similar to sounds produced by the Waldorf MicroWave or Ensoniq Fizmo. Features: 64 Wave Wavetable. Two Wavetable Oscillators with secondary unison oscillators. Up to 8x oversampling. Nine Types of Oscillator Combinations: Add, Sub, Mix,… Read More »

Kong Audio – ChineeGuZheng v1.65 (VST) [Win x86]

By | October 17, 2016

Guzheng, as one of the most representative Chinese instruments, first appeared around the Warring States period (475 – 221 BC), then became extremely popular during the Tang Dynasty (618 – 907 AD) and spread to all neighboring areas ever since (e.g., Guzheng is the forefather of Japanese Koto). Guzheng was originally a rather simple instrument with only five… Read More »

Kong Audio – ChineeNanXiao v1.42 (VST) [Win x86]

By | October 17, 2016

  Nanxiao (Southern Xiao) is a bamboo flute of the Xiao family. Unlike Dizi, Xiao has no membrane. Nanxiao is mostly popular in the Fujian area of southern China. Like the Japanese Shakuhachi, NanXiao is the offspring of ChiBa and DongXiao from the Tang Dynasty (618 – 907 AD). Contrary to the upbeat, happy-trigger sound of Dizi, NanXiao… Read More »

TubeOhm – BRUNO 205 v1.41 (VST) [Win x86]

By | October 17, 2016

Bruno is an “old school” synthesizer with a “new modern sound” offering leads, strings, bass and an easy to use interface. Features: Arp with Live Function. Delay and 3 Stages Chorus. Hard Clipping and Tube Distortion. Multiwave/Superwave Oscillator. 12/24db Filter with Self Oscillation. VCA with ADSR/Gate Modus. LFO with Fade In. 128 Sound Templates. Manual English/German. Single Voice… Read More »

Audio Damage – Tattoo 1.0.3 (VST) [Win x86]

By | October 16, 2016

Audio Damage’s first instrument, Tattoo, is a drum synthesizer where everything old is new again. Featuring 12 independent “voice-tuned” synthesizer topologies loosely based on the X0X series, and a sophisticated step/mod sequencer, Tattoo is at home in all forms of electronic music production. Features: 12 Drum Synths: Tattoo comes equipped with twelve different voices, utilizing Audio Damage’s custom… Read More »

Synthepolis Nrg-A v1.2 (VST) [Win x86]

By | October 16, 2016

nrg-A Synthesizer produces Bass, Leads, Pads, piano , Organ, Sequence. Gate effect. Ideal for the creation of the trance and ambient compositions. Features: 16 voices / 256 patches. 3 VCOs each with 11 waves: sine, parsine, triangle, triasine, saw, saw mg, ramp, ramp mg, pulse, white and pink noise. Pulse length, phase, FM, sync, key retrigger controls and… Read More »

Sonic Charge – Microtonic v2.0.1 (VST AU) [MAC.OSX]

By | October 16, 2016

Sonic Charge Microtonic (also known as “µTonic”) is a drum and percussion synthesizer combined with a pattern based drum-machine engine. You can use µTonic as a sound module to play drum sounds from your MIDI keyboard or sequencer, or you can use the built-in pattern engine to play drum patterns in sync with your sequencer. The sound of… Read More »

LUXONIX – Purity v1.2.4 (VST AU) [OSX Intel]

By | October 16, 2016

Purity is a next generation of digital musical instrument workstation and PCM Sound Module / Rompler software. Feature Summary. 16-part multi-instrument with GM Support Channel link function allows patch layering. Key/velocity range for splitting sound zone. General MIDI normal/rhythm sound and control support. 2 modes designed for each channel purpose – Melody/Drum. Integrated Mixer Realtime audio level meters.… Read More »

Loomer – String v1.0.3 (STANDALONE VST RTAS) [Win x86]

By | October 16, 2016

String is a virtual instrument that emulates the beautiful sound of the polyphonic string synthesizer. String’s authentic tone comes from its accurate emulation of the divide-down oscillator technology behind the lush ensemble synths of the ’70s. String has two individual sound generating Layers, each housing three phase-locked oscillator stops at 16′, 8′ and 4′ ranges for Layer 1,… Read More »

Tubeohm – Pure Pten v1.3 (VST) [Win x86]

By | October 16, 2016

Pure-Pten is virtual analogue synthesizer with a combination of Frequency Modulation (FM), Ring Modulation (RM), Oscillator Sync, Distortion and Subtractive Synthesis. Features: 10 voices. 3 Oscillators per voice / 21 waveforms / oscillator 3 with super wave function. 1 Multi-mode Filter 12/24dB, TP/HP-BP. 1 Filter-ADSR / timestretch function T*1, T*5, T*10. 1 VCA-ADSR / switch from linear to… Read More »

Arturia – Jupiter8 v2.0 (AU VST RTAS) [OSX Intel]

By | October 16, 2016

Virtual Instrument Jupiter-8V simulates an analog synthesizer Roland Jupiter 8. Use the improved version of the technology TAE (True Analog Emulation), is also used in such virtual instruments like Moog Modular V, Minimoog V, ARP 2600 V, CS-80V Prophet V. Each voice has two oscillators (triangle, sawtooth, pulse and square waveforms, the second oscillator can produce a square… Read More »

Sound Magic – Supreme Pianos Red Wings 1.4 (VST) [Win x86]

By | October 16, 2016

The basic idea of Supreme Pianos is coming from 3D graphic rendering. It uses Physical modeling to shape the sound’s “skeleton” of the piano, and then mapping a series of harmony components on to the skeleton to achieve an authentic sound. Supreme Pianos does not rely on sampling, has a small memory footprint and extreme low CPU usage… Read More »