String Audio – Dark Matter v1.5.1 (KONTAKT)

 

DARK MATTER is a powerful tool to create outstanding and complex cinematic sound textures.

Each instrument is composed of four layers.The library features more than 13GB of sample material using Kontakt’s lossless sample storage compression (more than 20GB not compressed), giving you a lot of combinations and sound colors. Use one of the pre-programmed instruments or use the powerful randomize function to create your own sounds.

Minimalist user interface, outstanding sounds:

• 13+GB of original sample material (more than 20GB not compressed).
• 4 layers for each instrument.
• Individual controls for pitch, volume, pan and layer on/off.
• Powerful randomize function with “lock” function for all 4 separate layers and the six convolution reverbs sends.
• ADSR, amp LFO, pan LFO, HP and LP filter.
• 3000+ 24-bit stereo samples.
• 50 convolution IR.
• 5 instrument effects: skreamer, lo-fi, phaser, tape saturation, delay and chorus.
• 180+ pre-programmed instruments.

 

After only a few months of its publication, DARK MATTER is one of the most acclaimed and innovative sample libraries in its genre, and today is even more powerful thanks to the latest major update.

Testimonials

“I’m immensely impressed by DARK MATTER library. It’s the perfect tool for your film/TV/Video game score, especially if you are looking for innovating sound design. HIGHLY RECOMMENDED”

INON ZUR – 3 Times BAFTA nominated and multi award winner composer

(Fallout 3/4, Crysis, Star Treck: Klingon Academy)

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“You make amazing stuff. I have already used DARK MATTER in a new title for XBOX and PS4, as well as a Disney show for Tokyo Disneyland, and I couldn’t be more thrilled with the badassery that has been generated with your awesome tool. PLEASE MAKE MORE! “

ADAM GUBMAN – Music composer and musician

(Pirates of the Burning Sea – Microsoft, Super Hero Squad – London 2012 Olympic Games)

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“DARK MATTER is a great addition to the textural/ambient part of my template. Comes with a vast array of inspiring patches but has great features to modify and make your own. The perfect tool for adding some edge, intrigue and darkness to your cues!”

DAVID BUCKLEY – Award-winning composer

(Jason Bourne, Call of Duty: Ghosts, Batman: Arkham Knight)

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“The most important thing in sound design and scoring is making something sounds unique and DARK MATTER delivers that in a big way. It has instantly become one of my favorite libraries, this is a MUST HAVE.”

DOUG BRANDT – Owner at PHANTOM POWER – CEO/Executive Creative Director at ANT FARM

(Transformers 4, Destiny, Deadpool, Batman v Superman)

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“In my work as a composer for films, TV and video games, I don’t so much look for interesting new sounds as I look for great tools to help me develop colors that are both unique and my own. DARK MATTER is one of those great tools. It’s an inspiring and streamlined way to develop great cinematic sounds and atmospheres.”

JEFF RONA – Multi award-winning composer

(Traffic, Phantom, Black Hawk Down)

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“DARK MATTER is a marvelous library, I love it. the sounds are something I’ve been missing from all sample libraries. Very useful and intuitive, I will use it a lot.

JUKKA RINTAMAKI – Music composer and musician

(Battlefield 3, Battlefield 4, Corridor)

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“DARK MATTER is a great library. Not only are the sounds amazing, there are also a lot of options here to craft your own ideas and come up with custom made sounds to perfectly fit your own music. HIGHLY RECOMMENDED.”

JESPER KYD – BAFTA award-winning and Billboard/MTV VMA nominated composer

(Assasin’s Creed, Borderlands, Hitman, Darksiders 2)

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“DARK MATTER is a big huge cinematic noise machine, the preset patches are fantastic but just hit the random button and see what happens….

GRANT KIRKHOPE – Award winning and BAFTA nominated composer

(Donkey Kong, Hex Heroes, Civilization: Beyond Earth)

 

Minimum System Requirements