Release Date: 09.2026
Version: 2026.09
Developer: Lese
Developer Website: https://lese.io/plugin/everything/
Format: VST3
Bit Depth: 64-bit
Crack: Included (BATS)
System Requirements: Windows 10+
- 48.9 MB
Description: Lese Everything Bundle – A collection of plugins from Lese
- Codec (v2.1.1) — Digital compression emulator
What it does: Models data compression algorithms (similar to MP3s, internet streams, or early mobile networks) and degrades audio quality by introducing characteristic artifacts. Version 2.1 features an advanced Regen function (an internal delay loop for extreme sonic destruction) and sidechain modulation support.
Use case: Functions as a creative lo-fi bitcrusher. It helps simulate the sound of vintage internet audio or compressed voice tags, or adds a distinctive “glassy” digital noise texture. -
Eigen (v1.4.0) — Spatial room simulator
What it does: Simulates room acoustics with precise control over early reflections and spatial geometry. Current versions support Ambisonics audio for an immersive experience.
Use case: Allows you to seat an instrument in the mix and add realistic depth, or conversely, create a claustrophobically small, resonant room. Works well on drums, guitars, and vocals to impart a “live” feel. -
Fletcher (v1.1.0) — Dynamic spectral smoother
What it does: Evens out and smooths spectral peaks and resonances over time using the “Factor Bands” system. It includes a Shimmer function that can detect the pitch of the incoming signal or be controlled via MIDI to add harmonics.
Use case: Ideal for eliminating harsh, piercing frequencies and softening aggressive transients in vocals, synthesizers, or percussion. It operates more gently than traditional dynamic equalizers, preserving the sound’s natural body while making it feel more “silky.” -
Frahm (v1.3.0) — Gestural spatio-temporal processor
What it does: Controls delays and spatial sound distribution based on movement trajectories (“gestures”) defined by the user. Features full support for Ambisonics audio formats.
Use case: Suitable for creating complex stereo animation, rotation effects, cinematic transitions, and intricate delay patterns that literally move around the listener. -
Glow (v1.4.2) — Granular processor
What it does: Breaks incoming audio into thousands of tiny micro-fragments (grains) and plays them back with variations in density, pitch, and direction.
Use case: Helps create massive granular clouds and shimmering textures, stretch sound infinitely, or transform a monophonic signal into an expansive stereo atmosphere. -
Hikari (v1.1.4) — Stochastic reverb
What it does: Generates spatial reflections based on random probability algorithms (stochastics), modeling unusual, fantastical spaces that do not exist in reality.
Use case: Ideal when standard reverbs sound too predictable. Allows for the generation of otherworldly spaces, glitchy reverb tails, and dense, futuristic reflections. -
Recurse (v1.2.13) — Recursive audio processor
What it does: Routes the processed audio signal back into itself via complex feedback loops, creating unpredictable acoustic mutations. Use case: Ideal for creating extreme sound design, self-generating drones, noise textures, and complex sci-fi effects. -
Slice (v1.1.2) — Dynamic Multi-Slicer / Looper
Function: Automatically chops the incoming audio signal into fragments (slices) and rearranges them in real-time, creating new rhythmic patterns.
Use case: Excellent for creating glitch effects, reassembling drum breaks, generating vocal chops, or transforming static parts into syncopated glitch patterns. -
Smear (v1.2.3) — Spectral Chaos and Smearing
Function: Blurs sound in the frequency domain, transforming sharp transients and notes into smooth sonic clouds, trails, and abstract pads using a multi-band spectral mixing system.
Use case: An essential tool for ambient music and cinematic sound design. It can turn a simple click or short chord into an infinite, evolving atmospheric texture. -
Strum (v1.2.9) — Multi-band Delay with “Strumming”
Function: Splits the signal into multiple frequency bands and delays each one with a slight offset, simulating the strumming of strings.
Use case: Transforms standard keyboard, pad, or guitar chords into a cascade of shimmering, rhythmically offset sounds. Adds dynamics and movement to static harmonies. -
Sweep (v1.4.0) — Infinite Filter (Shepard Filter)
Function: Lese’s very first plugin. It employs an array of peak and notch filters that smoothly decay and transition into one another, creating the illusion of a continuously rising or falling frequency (the Shepard tone or Risset filter effect). Version 1.4 supports tempo-synced speed (BPM Sync) and sidechain parameter modulation.
Application: Ideal for creating a sense of ever-increasing tensionrisers/sweeps in electronic tracks, cinematic build-ups, and unique stereo filtering via independent left and right channel control. -
Teuri (v1.1.1) — Morphing Distortion
What it does: An advanced distortion processor that allows for smooth transitions (morphing) between various saturation and clipping algorithms.
Use case: Helps create dynamically evolving overdrive. Excellent for aggressive basslines, adding character to sterile digital synths, or crafting evolving distorted textures. -
Transfer (v1.5.0) — Doppler Spatial Modulator
What it does: Physically models the Doppler effect (the change in wave frequency as a sound source moves relative to the listener) in 3D space, with support for multichannel Ambisonics output.
Use case: Creating realistic object fly-bys, cinematic build-ups, falling effects, or sharp spatial transitions in electronic music.
List of included plugins:
Codec v2.1.1
Eigen v1.4.0
Fletcher v1.1.0
Frahm v1.3.0
Glow v1.4.2
Hikari v1.1.4
Recurse v1.2.13
Slice v1.1.2
Smear v1.2.3
Strum v1.2.9
Sweep v1.4.0
Teuri v1.1.1
Transfer v1.5.0
