Guda Audio – KickR 1.7 (VST, AU) [WIN.OSX x86 x64]
KickR is a dedicated kick drum synthesizer with a combined synthesis and sampling engine to create tailored kicks to perfectly fit your tracks.
Category Archives: Mac OSX
Inear Display – Ephemere 1.0 (VST, AU) [WIN.OSX x86 x64]
Ephemere is a percussion synthesizer that includes twelve sound generation engines assigned to each note of an octave. The sounds are generated using FM synthesis and can be further sculpted using a multi mode filter and two simple yet flexible envelope generators. Ephemere makes it easy to add variety to your rhythmic patterns by attaching a randomization setting… Read More »
AudioRealism – ADM 1.3.3.9 (VSTi, AU) [WIN OSX x86 x64]
Booming bassdrums, saucy cymbals and crispy snares can be used to describe the sound of drum machines from the early 80’s. ADM contains three classic vintage drum machines from that era rolled into one, combined with a 32-step internal sequencer and pattern controlled fx (PCF). Get all your patterns into ADM via the Import Rebirth function or directly… Read More »
Credland Audio / Plugin Boutique – Stereo Savage 1.2.1 (VST, AAX, AU) [WIN.OSX x86 x64]
StereoSavage: Broaden Your Horizons. Achieve the stunning stereo your mix deserves. StereoSavage provides an innovative stereo toolbox, combining tried and tested studio techniques with emulations of modern and classic tools that will bring your mix to life. Generate stereo from mono with the: VOX, DELAY, EXPAND and SPLIT programs. Place sounds precisely in the stereo field with the… Read More »
Cakewalk – Z3TA Plus 2.2.3.43 (STANDALONE, VSTi, VSTi3, AAX, AU) [WIN.OSX x86 x64]
The legendary waveshaping sound of Z3TA (zay’-ta) is back-and better than ever. New filters, modulatable waveshapers, flexible effects, expressive control and a gorgeous new interface make Z3TA 2 one seriously powerful synth. It’s not often that a soft synth can be called a classic, but in the case of Z3TA it’s definitely appropriate. Used on countless tracks over… Read More »
QuikQuak – Crowd Chamber 3.01 (VST, AU) [WIN.OSX x86 x64]
Crowd Chamber is an audio plug-in that layers multiple variations of a signal to create a crowd simulation. Up to almost 2,000,000 layers can be produced enabling simple chorusing effects, small crowds and stadiums, on to impossible situations and effects. When each voice is mixed, it is altered in varying time and spectral content, making unique versions of… Read More »
Voxengo – Drumformer 1.5 (VST, VST3, AAX, AU) [WIN.OSX x86 x64]
Drumformer is a multi-band drum and master track dynamics processing plug-in for professional music and audio production applications. Drumformer was designed to be a comprehensive solution for the broadest range of sound processing tasks. Drumformer can operate in broadband, 2-band and 3-band modes, with each band having compressor-expander and saturation modules. The sound of the compressor can be… Read More »
Sonic Academy – KICK 2 1.0.5 (VST, AAX, AU) [WIN.OSX x86 x64]
Description: Sonic Academy two years after the release of the first version of the plug provided Kick 2. Plug-synthesizes the sound of the bass drum by mixing different sounds semplovyh. A great tool for creating e-drums and almost immediately gives a good sound. The new plug-in has new features that promise to make working with it even easier… Read More »
Audiority – Harmonic Maximizer 1.0.0 (VST, AAX, AU) [WIN.OSX x86 x64]
Harmonic Maximizer is a multi-band exciter and loudness shaping plugin that will make your tracks powerful and more alive. Specifications: Multi-band Exciter. Loudness Maximizer. Auto Gain + Auto Release. Saturation. Blending.
Voxengo – Marquis Compressor 2.0 (VST, VST3, AAX, AU) [WIN.OSX x86 x64]
Marquis Compressor is a “universal” compressor AAX, AU and VST plugin. You’ll find a smooth compression performance, coupled with a harmonically-rich sound, both suitable for mixing and mastering. Being “universal” this compressor can be used on a wide range of sound material: individual tracks, stems and mixes, producing “clean” or “colored” sound. Marquis Compressor plugin was built around… Read More »
Bob Perry Audio – Crossfader 1.3.0 (VST3, AU) [WIN.OSX x86 x64]
Bob Perry Audio Crossfader is the ultimate tool for crossfading between two signals. Perfect for blending different guitar and bass amps, different synthesizers, or any different microphone sounds, for example on drums. Mix two signals into one, always maintaining a perfect output volume. Gain even more control with the Crossfader’s integrated Cross EQ, for boosting one signal’s lows… Read More »
Audiority – The Abuser 1.3.1 (VST, AAX, AU) [WIN.OSX x86 x64] FIXED
The Abuser is an aggressive multimode distortion effect suitable for guitars, bass, synthesizers, drums and much more. We programmed a rich sounding distortion to fit in both vintage and modern music styles. System Requirements PC: Windows XP SP3 or later. Intel Core2Duo 2GHz / AMD Athlon 64 or equivalent. 2GB RAM. Screen resolution: 1024×768. VST2 and AAX 32-bit… Read More »
Tritik – tkDelay 1.4.1 (VST, AAX, AU) [WIN.OSX x86 x64]
TkDelay is a versatile delay plugin designed to produce a large range of sounds, from classic delays to experimental sound effects. KEY FEATURES Main Controls: Host-synced and free delay times (per channel). Delay times modulation (per channel). Feedback gains with infinite loop support (per channel). Frequency shifter (per channel). Reverse mode. Ping-pong (via cross-feedback control). Tap-tempo. Overdrive. Ducking.… Read More »
GuDa Audio – DrumR 2.4 (VST, AU) [WIN OSX x86 x64]
DrumR is a flexible combination of synthesis and granular and regular sampling engine for creating a complete electronic drum kit. A kit contains of 3 Kicks, 2 Hihats, 3 Toms, 1 Snare and 1 Crash.
OverTone DSP – AF2-10 Bundle 2.4.8 (VST AAX AU JACK) [WIN OSX LINUX x86 x64]
Universal graphic equalizer with a wide range, zero latency, modeled by an analog device and FFT display. Many digital equalizers, including some popular DAW can be artificial and indiscriminate response of the filter, especially at high frequency settings. It is often cited as a reason for describing the “plastic” sound some equalizers. The usual solution to this problem… Read More »
SampleScience – Cinematika (KONTAKT, NN-XT, WAV, SF2, VST, AU) [Win OSX x86 x64]
Cinematika is a consistent collection of 55 cinematic sounds available as a VST/AU instrument plugin and a sample library in Wav, Sfz, Sf2, Reason NN-XT and Kontakt 4 formats. The sound range from deep tones to ambient pads, ethereal pianos to soft strings. The plugin instrument features a simple yet effective layering engine to thicken the sound easily.… Read More »
Cakewalk – CA-2A Leveling Amplifier 2.0.1.97, 2.0.1.96 (VST VST3 AAX AU) [WIN OSX x86 x64]
Faithfully modeled after one of the most sought after studio compressors in history, the CA-2A T-Type Leveling Amplifier puts the silky, smooth sound of this highly desirable unit right into any VST or AU-compatible DAW. Highlights – Meticulously modeled – Zero latency for real-time tracking and mixing – Up to 40dB of smooth, transparent gain reduction – Frequency… Read More »
SampleScience – Nostromos (VST AU) [WIN OSX x86 x64]
Nostromos is a cinematic plugin instrument featuring 1.1 gig of sampled sounds. The plugin has 80 playable instruments and a easy to use interface. Each sound can be modified using a series of simple parameters. The sounds range from epic ambient pads to organic “mutant” textures, ethereal tones to mystic bells. Features: 80 epic cinematic instruments. LFO with… Read More »
Impact Soundworks – SNESVerb (VST AU) [WIN OSX x86 x64]
SNESVerb is an effect plugin that emulates the “reverb” effect used by the 16-bit SNES home video game console. Rather than use a resource-intensive algorithm, the SNES instead used a simple fast delay line to achieve a sense of space, which SNESVerb aims to recreate. This simulated reverb effect is a major part of “chiptune” music from the… Read More »
SampleScience – Thales Model I v1.1 (VST AU) [WIN OSX x86 x64]
Sound unique with Thales Model I, the only plugin that recreates the sound of early software synthesizers of the sixties. You heard it right, all the way through the sixties Bell’s laboratories developed software synthesizers that were capable of producing an early form of sound synthesis: raw sawtooths, unstable organ like tones, almost clean sine waves and abstract… Read More »
