Guzheng, as one of the most representative Chinese instruments, first appeared around the Warring States period (475 – 221 BC), then became extremely popular during the Tang Dynasty (618 – 907 AD) and spread to all neighboring areas ever since (e.g., Guzheng is the forefather of Japanese Koto). Guzheng was originally a rather simple instrument with only five… Read More »
Nanxiao (Southern Xiao) is a bamboo flute of the Xiao family. Unlike Dizi, Xiao has no membrane. Nanxiao is mostly popular in the Fujian area of southern China. Like the Japanese Shakuhachi, NanXiao is the offspring of ChiBa and DongXiao from the Tang Dynasty (618 – 907 AD). Contrary to the upbeat, happy-trigger sound of Dizi, NanXiao… Read More »
Bruno is an “old school” synthesizer with a “new modern sound” offering leads, strings, bass and an easy to use interface. Features: Arp with Live Function. Delay and 3 Stages Chorus. Hard Clipping and Tube Distortion. Multiwave/Superwave Oscillator. 12/24db Filter with Self Oscillation. VCA with ADSR/Gate Modus. LFO with Fade In. 128 Sound Templates. Manual English/German. Single Voice… Read More »
nrg-A Synthesizer produces Bass, Leads, Pads, piano , Organ, Sequence. Gate effect. Ideal for the creation of the trance and ambient compositions. Features: 16 voices / 256 patches. 3 VCOs each with 11 waves: sine, parsine, triangle, triasine, saw, saw mg, ramp, ramp mg, pulse, white and pink noise. Pulse length, phase, FM, sync, key retrigger controls and… Read More »
String is a virtual instrument that emulates the beautiful sound of the polyphonic string synthesizer. String’s authentic tone comes from its accurate emulation of the divide-down oscillator technology behind the lush ensemble synths of the ’70s. String has two individual sound generating Layers, each housing three phase-locked oscillator stops at 16′, 8′ and 4′ ranges for Layer 1,… Read More »
Pure-Pten is virtual analogue synthesizer with a combination of Frequency Modulation (FM), Ring Modulation (RM), Oscillator Sync, Distortion and Subtractive Synthesis. Features: 10 voices. 3 Oscillators per voice / 21 waveforms / oscillator 3 with super wave function. 1 Multi-mode Filter 12/24dB, TP/HP-BP. 1 Filter-ADSR / timestretch function T*1, T*5, T*10. 1 VCA-ADSR / switch from linear to… Read More »
Lemonstrum 3 is an Acoustic Guitar Strummer plug-in – it acts as a chord sample player. Each of the 12 keys on the keyboard (A-G#) triggers the chord you assign to it. You can load up to three samples: different strokes of the same chord for each trigger, which Lemonstrum will then play alternately whenever you press the… Read More »
The basic idea of Supreme Pianos is coming from 3D graphic rendering. It uses Physical modeling to shape the sound’s “skeleton” of the piano, and then mapping a series of harmony components on to the skeleton to achieve an authentic sound. Supreme Pianos does not rely on sampling, has a small memory footprint and extreme low CPU usage… Read More »
PULS is a monophonic pulse wave synthesizer with simple controls but complex sounds. From two pulse wave oscillators you can get chunky basses, scorching leads, retro chiptune, dusty lofi and oddball noises. With an unusual isometric pixel-art interface, what it lacks in knobs, it makes up for in sound. It features custom pulse waveforms, unison, oscillator sync and… Read More »
ChineeWinds is a sample based Chinese “Dizi”. Dizi (bamboo flute) has been a traditional and popular instrument in China for many centuries and as an essential Chinese instrument, it is still widely used today. It can be heard everywhere ranging from modern Chinese film scores, to modern Chinese pop music (e.g. 12 Girls Band). There are many… Read More »
ChineeHuluSi: The Riveting Bottle Gourds from the South of Clouds. HuluSi is a free-reed wind instrument from China. “Hulu” is the Chinese name for bottle gourd; “Si”, silk, is used here to describe the unrelenting characteristic of HuluSi’s vibrating tail tone. The history of HuluSi is not well documented other than that it may have been used by… Read More »
ChineeSuona comprises of two Suonas (a big Suona and a small Suona) with different note ranges. It comes with a meticulously woven 380 MB sampleset (All samples are recorded in 24 bit 96 kHz). What is a Suona? Suona (the Chinese shawm) was originated from Persia and then slowly adopted by the Chinese in the course of history.… Read More »
ChineeGuQin is a sample-based emulation of a GuQin. “The Vivacious Vessel of Harmony” GuQin is among the few most distinctive and representative classical Chinese instruments ever. The written record of it can be traced back to at least 3,000 years ago. It’s a zither similar to GuZheng, but since GuQin does not have bridges, it is far more… Read More »
AOM Factory – Invisible Limiter – AOM Invisible Limiter – transparent look-ahead brickwall limiter with automatic adjustment of time attack / release parameters. Invisible Limiter algorithm reduces the differences between the original and the processed material. This behavior prevents the color of your material from the final stage of the limitation. Even when processing stiff enough, it is… Read More »
Britson is inspired by the classic British 8014 console. One of the most difficult tasks, in my humble opinion, is to recreate the saturation characteristic of analog equipment. Copying the harmonic content of a particular piece of equipment is not enough to generate a nice, convincing, analog-like saturation. Many other factors have a far more influential impact on… Read More »
This is our take on the retro electronic organ Stylophone. Created for Kontakt 4+ this instrument enhances the playability of the stylophone – some of the features include: increased key range to 3 octaves, polyphonic playing, legato scripting, round robin, chorus effect, variable vibrato, release triggers, key taps, and filters. The stylephone requires the full version of Kontakt… Read More »
GlissEQ is a powerful parametric dynamic equalizer plug-in. The most interesting and unique feature GlissEQ offers is its filters with dynamic behavior. When using a normal equalizer you always get what you have set: if you specify a 6 dB boost at 100 Hz you get exactly a 6 dB boost at 100 Hz – GlissEQ offers you… Read More »
Sonic Charge Microtonic (also known as “µTonic”) is a drum and percussion synthesizer combined with a pattern based drum-machine engine. You can use µTonic as a sound module to play drum sounds from your MIDI keyboard or sequencer, or you can use the built-in pattern engine to play drum patterns in sync with your sequencer. The sound of… Read More »
Nowadays the music industry aims for the highest possible quality and volume for music Most software is lacking in this department. The Tube virtualiser – using a special algorithm – can bring out the maximum from music. With the help of this program, it’s possible to bring out extra deep frequency without distortion. And when the distortion is… Read More »
Acon Digital Verberate is an algorithmic reverb plug-in that simulates real acoustical surroundings with a new degree of realism. Several conventional building blocks in traditional digital reverb design have been replaced by novel methods that allow Verberate to produce convincing early reflections and the dense reverberation tails that characterize impulse response measurements of real acoustical spaces. The result… Read More »
Air Music Technology originally created Xpand. as part of the Creative Collection of instrument plug-ins included as part of Avid Pro Tools. With the release of Pro Tools 8, this widely popular workstation was given new controls, improved features, an additional Gigabyte of sounds, and a new name: XPand!2. As the popularity of Pro Tools grew, more and… Read More »
LOUD and CLEAR New version of Kuassa’s ooh-so-handy limiter / loudness maximizer plugin Make your Mix and Master LOUD transparently without sacrificing punch and sound quality Featuring the new Adaptive Mode, dithering section, up to 4x oversampling, Latency Compensation, and redesigned graphics. Now supports Reason Rack Extension and Avid Pro Tools’ AAX REQUIREMENTS Windows XP, Vista, 7,… Read More »
Inspired by the Legendary for the Modern Age Inspired by the Pultec* MEQ-5 and EQP-1A combined into a single, compact plugin. A unique saturation feature with intelligent level compensation. Perfect for adding grit to basslines, making vocals stand out in the mix, or instant mojo for anything. Also works great for mastering! Authentic frequency response. Experience the… Read More »
The EVE-AT bundle is a compare of equalizers modeled after the classic Neve* 1081 and 1084. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering. REQUIREMENTS Windows XP, Vista, 7, or Later (32/64-bit) Mac OS 10.5 or later (32/64-bit) VST, VST3,… Read More »
Aug 22, 2016: Voxengo LF Max Punch version 1.7 update is now available for download. LF Max Punch is a professional audio effect plugin for music and sounds where low-frequency thump and punch are most welcome, and where distortion is applied specifically to bring the bass sound to life. LF Max Punch is available in AAX, AudioUnit, VST… Read More »
