Year / release date : 5.5.2019
Version : 7.0.0
Developer : Arturia
Developer website : Arturia
Format : EXE / VST / VST3 / AAX
Digit capacity : 64bit
Tabletka : cured VR
System requirements : Windows 7, 8, 10
Description : Arturia announced the release of the latest edition of the V Collection: their flagship anthology of reinterpreted historical synthesizers and keyboards. V Collection 7, containing 24 software tools and thousands of built-in sounds, is considered “a must-have guide for musicians, producers, sound producers, and keyboard enthusiasts.”
In V Collection 7, Arturia used modeling techniques to create accurate software versions of dozens of time-tested tools. Their exclusive True Analog Emulation (TAE) and advanced physical modeling make these legendary tools at your fingertips as software.
Arturia Analog Lab 4 – v4.0.0.2708
Arturia ARP 2600 V3 – v3.4.0.2695
Arturia B-3 V2 – v2.0.0.2695
Arturia Buchla Easel V – v1.4.0.2695
Arturia Clavinet V – v1.4.0.2695
Arturia CMI V – v1.4.0.2695
Arturia CS-80 V3 – v3.4.0.2695
Arturia CZ V – v1.0.0.2695
Arturia DX7 V – v1.4.0.2695
Arturia Farfisa V – v1.4.0.2695
Arturia Jup-8 V3 – v3.4.0.2695
Arturia Matrix-12 V2 – v2.4.0.2695
Arturia Mellotron V – v1.0.0.2695
Arturia Mini V3 – v3.4.0.2695
Arturia Modular V3 – v3.4.0.2695
Arturia Piano V2 – v2.4.0.2695
Arturia Prophet V3 – v3.4.0.2695
Arturia SEM V2 – v2.4.0.2695
Arturia Solina V2 – v2.4.0.2695
Arturia Synclavier V – v2.4.0.2695
Arturia Stage-73 V – v1.4.0.2695
Arturia Synthi V – v1.0.0.2709
Arturia VOX Continental V2 – v2.4.0.2695
Arturia Wurli V2 – v2.4.0.2695
Description of the members
Synclavier V is a tool that accurately recreates and enhances the capabilities of a digital synthesizer that participated in creating the biggest hits and soundtracks for films from the early 80s. Its unique blend of additive and FM synthesis technologies is created for a stunning variety and unique universe of cinematographic linings and evolving timbres.
Piano V presents nine world-class pianos to you, ranging from a concert grand piano to a studio piano and unconventional designs. All instruments are created on the basis of modeling technology applied to sound and mechanics – strings, hammers, mixer, microphone positions and much more.
B-3 V presents you the king of electronic organs, the richly sounding B-3, which was the basis of jazz, gospel, hard rock and reggae, and has stood in every professional studio around the world – for more than half a century. His electromagnetic tonewheel design gave him strong qualities that the later transistor organs no longer had.
Farfisa V is lighter than Hammond and sharper than Vox, this transistor organ has helped to amplify the sparkling sounds of the top 40 hits of the 60s and has been supporting a boil of optimistic genres so far. This virtual analog has grown to a synthesizer, and can use custom waveforms, synchronized tremolo / repeat, has more envelope control and built-in effects.
Stage-73 V is an electric pianos of the 60s and 70s with a rounded sound and a long core that Wurlitzer always distinguished favorably. This instrument was popular with almost every keyboard player, especially in jazz, funk and ballads. The Stage-73 V accurately models the Stage 73 and Suitcase 73 models, all up to a clove, a pickup and a circuit, and also includes an extra tube amplifier and classic effects.
The DX7 V offers you authentic 1983 FM digital synthesizer emulation, which earned an honorable place in keyboard history. This software version expands the capabilities of the hardware brother with new waves of operators, advanced modulation, arpeggiator and built-in effects.
Buchla Easel is an emulation of the 1973 analog synthesizer that changed the way you create sounds with parameters focused on performance, focusing on the art of being a recording artist.
Clavinet V is perhaps the most famous electric keyboard instrument of all time, the legacy of clavinet everywhere. Released by Hohner in the mid-60s, its funky energetic timbre gave birth to countless genres for decades, from disco and R & B to progressive rock and pop music.
CMI V is known, above all, as the progenitor of all samplers and innovative additive synthesizer. Fairlight CMI really redefined the production of pop music after its release in 1979.
Analog Lab 3 includes the classic sounds of all V Collection instruments in one convenient interface, this is the perfect launch pad for your creativity. Thanks to the new browser, new modes and maximum integration of the keyboard with the controller, searching for the perfect sound from more than 6000 presets has never been easier and more fun.
Piano V 2 is the second version of the piano based on physical modeling, which has undergone a complete revision. The new version contains three additional piano models, including the Japanese Grand, Plucked Grand, Tack Upright, improved microphone positioning, an improved equalizer, and a new juicy stereo delay and compressor.
ARP 2600 V3 due to its sound palette, which varies from heavy drum n ‘bass stubs to angular arpeggiated electronic bass lines, regardless of the genre you choose. The 2600 is a truly versatile tool for creating sound that still takes its place in modern music. Thanks to a unique combination of semi-modular architecture and associated routing, the instrument became one of the most versatile synthesizers of the 1970s.
Jup-8 V3 The Roland Jupiter 8 synthesizer is probably the least requiring a special presentation. Immediately after appearing on the music market in the early 80s, he instantly gained worldwide recognition and, despite his age, is still popular. On the front panel there are controls with 54 synthesis parameters. The basic part of the synthesizer contains two oscillators with a set of switchable waveforms, a mixer, a single-pole pass-through high pass filter (HPF) without resonance, a resonant low-pass filter (LPF) with switchable slope (12/24 dB / oct), LFO, amplifier (VCA ), two envelopes (for filter and amplifier). Moreover, the filter can control any of the two envelopes. The set of initial waveforms of oscillators is small, but they can be synchronized and modulated, receiving many new forms. When using frequency modulation, not only noise and bell bells are produced, but also clear “glass” sounds.
Matrix-12 V2 Times are changing, and now all the capabilities of the original tool are transferred by Arturia’s engineers to the virtual Matrix-12 V. And, according to the already established tradition, some additional functions are added that were not in the original. This virtual synthesizer contains so many parameters that it is not possible to simultaneously place them all on the screen. Therefore, the working window has a page interface. In addition, the two main pages may have slight differences, depending on the type of preset loaded. Matrix-12 V is an interesting synthesizer, albeit somewhat difficult to control, precisely because of the abundance of possibilities.
Modular V3 Arturia in partnership with Dr. Bob Moog, represents the synthesizer from which, in fact, it all started … This huge modular system showed that electronics can be musical, so it is a catalyst for every synthesizer that we see today. We revived the billowing modular synthesizer that has dominated the music world since the 1960s.
CS-80 V3 The virtual model can still be the same as the original one could do, but in addition it has a modulation matrix and a multi-layer Multi mode, significantly expanding the potential of the tool. As with all Arturia virtual instruments, “pure” oscillators (no aliasing) work in this model, that is, they do not have an internal “reflection” of frequencies from the upper limit of the range, resulting in the appearance of parasitic sound tones.
Prophet V3 The Prophet V virtual synthesizer contains the stuffing of two instruments: Prophet 5 and Prophet VS. Unlike the original, the virtual instrument supports polyphony that can be changed from 1 to 32 voices. For each voice, there are two synchronized oscillators, A and B, which have, respectively, two and three possible waveforms, as well as a source of white noise. For a square wave, you can change the pulse width, either manually or modulating it with an LFO. It is important that all available waveforms in each oscillator can be used simultaneously. This gives a bold, rich harmonics sound, suitable for the formation of a diverse set of timbres.
Mellotron V recreates the sound of the legendary mellotron, a film keyboard instrument that has gained immense popularity in the past year. In addition to recreating the behavior of the film inside the mellotron, the developers also equipped the tool with the ability to work with third-party samples. Thanks to this, musicians will be able to create an individual tape machine with any sounds.
Synthi V and CZ V repeat the sound of the British modular synthesizer and budget digital synthesizer. The first will surprise the musicians with unpredictable modulations and a powerful effects section, the second will delight with the extensive capabilities of phase sound synthesis
Mini V3 In partnership with Bob Moog, we recreated the legendary interface of its Cinta of the early 70s, which was and is loved by generations of musicians. What really makes this synthesizer a legend of legends is its sound, and therefore we took care to model the subtleties of its internal characteristics.
SEM V2 The SEM module was originally designed to complement other synthesizers, but later became a great sounding synthesizer. A unique filter that let you work infinitely from low frequencies to high frequencies, giving a great sound that no one else had. If several SEMs are connected to a 4 or 8 voice polyphonic system, this will become a beautiful sound.
Solina V2 String machines existed before polyphonic synthesizers. Solina, originally made eminent and rebranding for Arp, defined the class of sounds that are still in demand today more than ever. Solina was probably heard on more albums in the 1970s and 80s than any other single keyboard.
VOX Continental V2 The transistor circuit and coupling devices behind this classic organ bring it to the forefront in some of the biggest songs of the greatest bands of the 60s, 70s, 80s and above. VOX Continental V provides instant access to these amazing sounds and more.
Wurli V2 Piano Wurli 200A can sound not only soft, but also from soft to hard and bold. This harsher sound made him popular in rock music.
Piano V presents nine world-class pianos to you, ranging from a concert grand piano to a studio piano and unconventional designs. All instruments are created on the basis of modeling technology applied to sound and mechanics – strings, hammers, mixer, microphone positions and much more.
B-3 V presents you the king of electronic organs, the richly sounding B-3, which was the basis of jazz, gospel, hard rock and reggae, and has stood in every professional studio around the world – for more than half a century. His electromagnetic tonewheel design gave him strong qualities that the later transistor organs no longer had.
Farfisa V is lighter than Hammond and sharper than Vox, this transistor organ has helped to amplify the sparkling sounds of the top 40 hits of the 60s and has been supporting a boil of optimistic genres so far. This virtual analog has grown to a synthesizer, and can use custom waveforms, synchronized tremolo / repeat, has more envelope control and built-in effects.
Stage-73 V is an electric pianos of the 60s and 70s with a rounded sound and a long core that Wurlitzer always distinguished favorably. This instrument was popular with almost every keyboard player, especially in jazz, funk and ballads. The Stage-73 V accurately models the Stage 73 and Suitcase 73 models, all up to a clove, a pickup and a circuit, and also includes an extra tube amplifier and classic effects.
The DX7 V offers you authentic 1983 FM digital synthesizer emulation, which earned an honorable place in keyboard history. This software version expands the capabilities of the hardware brother with new waves of operators, advanced modulation, arpeggiator and built-in effects.
Buchla Easel is an emulation of the 1973 analog synthesizer that changed the way you create sounds with parameters focused on performance, focusing on the art of being a recording artist.
Clavinet V is perhaps the most famous electric keyboard instrument of all time, the legacy of clavinet everywhere. Released by Hohner in the mid-60s, its funky energetic timbre gave birth to countless genres for decades, from disco and R & B to progressive rock and pop music.
CMI V is known, above all, as the progenitor of all samplers and innovative additive synthesizer. Fairlight CMI really redefined the production of pop music after its release in 1979.
Analog Lab 3 includes the classic sounds of all V Collection instruments in one convenient interface, this is the perfect launch pad for your creativity. Thanks to the new browser, new modes and maximum integration of the keyboard with the controller, searching for the perfect sound from more than 6000 presets has never been easier and more fun.
Piano V 2 is the second version of the piano based on physical modeling, which has undergone a complete revision. The new version contains three additional piano models, including the Japanese Grand, Plucked Grand, Tack Upright, improved microphone positioning, an improved equalizer, and a new juicy stereo delay and compressor.
ARP 2600 V3 due to its sound palette, which varies from heavy drum n ‘bass stubs to angular arpeggiated electronic bass lines, regardless of the genre you choose. The 2600 is a truly versatile tool for creating sound that still takes its place in modern music. Thanks to a unique combination of semi-modular architecture and associated routing, the instrument became one of the most versatile synthesizers of the 1970s.
Jup-8 V3 The Roland Jupiter 8 synthesizer is probably the least requiring a special presentation. Immediately after appearing on the music market in the early 80s, he instantly gained worldwide recognition and, despite his age, is still popular. On the front panel there are controls with 54 synthesis parameters. The basic part of the synthesizer contains two oscillators with a set of switchable waveforms, a mixer, a single-pole pass-through high pass filter (HPF) without resonance, a resonant low-pass filter (LPF) with switchable slope (12/24 dB / oct), LFO, amplifier (VCA ), two envelopes (for filter and amplifier). Moreover, the filter can control any of the two envelopes. The set of initial waveforms of oscillators is small, but they can be synchronized and modulated, receiving many new forms. When using frequency modulation, not only noise and bell bells are produced, but also clear “glass” sounds.
Matrix-12 V2 Times are changing, and now all the capabilities of the original tool are transferred by Arturia’s engineers to the virtual Matrix-12 V. And, according to the already established tradition, some additional functions are added that were not in the original. This virtual synthesizer contains so many parameters that it is not possible to simultaneously place them all on the screen. Therefore, the working window has a page interface. In addition, the two main pages may have slight differences, depending on the type of preset loaded. Matrix-12 V is an interesting synthesizer, albeit somewhat difficult to control, precisely because of the abundance of possibilities.
Modular V3 Arturia in partnership with Dr. Bob Moog, represents the synthesizer from which, in fact, it all started … This huge modular system showed that electronics can be musical, so it is a catalyst for every synthesizer that we see today. We revived the billowing modular synthesizer that has dominated the music world since the 1960s.
CS-80 V3 The virtual model can still be the same as the original one could do, but in addition it has a modulation matrix and a multi-layer Multi mode, significantly expanding the potential of the tool. As with all Arturia virtual instruments, “pure” oscillators (no aliasing) work in this model, that is, they do not have an internal “reflection” of frequencies from the upper limit of the range, resulting in the appearance of parasitic sound tones.
Prophet V3 The Prophet V virtual synthesizer contains the stuffing of two instruments: Prophet 5 and Prophet VS. Unlike the original, the virtual instrument supports polyphony that can be changed from 1 to 32 voices. For each voice, there are two synchronized oscillators, A and B, which have, respectively, two and three possible waveforms, as well as a source of white noise. For a square wave, you can change the pulse width, either manually or modulating it with an LFO. It is important that all available waveforms in each oscillator can be used simultaneously. This gives a bold, rich harmonics sound, suitable for the formation of a diverse set of timbres.
Mellotron V recreates the sound of the legendary mellotron, a film keyboard instrument that has gained immense popularity in the past year. In addition to recreating the behavior of the film inside the mellotron, the developers also equipped the tool with the ability to work with third-party samples. Thanks to this, musicians will be able to create an individual tape machine with any sounds.
Synthi V and CZ V repeat the sound of the British modular synthesizer and budget digital synthesizer. The first will surprise the musicians with unpredictable modulations and a powerful effects section, the second will delight with the extensive capabilities of phase sound synthesis
Mini V3 In partnership with Bob Moog, we recreated the legendary interface of its Cinta of the early 70s, which was and is loved by generations of musicians. What really makes this synthesizer a legend of legends is its sound, and therefore we took care to model the subtleties of its internal characteristics.
SEM V2 The SEM module was originally designed to complement other synthesizers, but later became a great sounding synthesizer. A unique filter that let you work infinitely from low frequencies to high frequencies, giving a great sound that no one else had. If several SEMs are connected to a 4 or 8 voice polyphonic system, this will become a beautiful sound.
Solina V2 String machines existed before polyphonic synthesizers. Solina, originally made eminent and rebranding for Arp, defined the class of sounds that are still in demand today more than ever. Solina was probably heard on more albums in the 1970s and 80s than any other single keyboard.
VOX Continental V2 The transistor circuit and coupling devices behind this classic organ bring it to the forefront in some of the biggest songs of the greatest bands of the 60s, 70s, 80s and above. VOX Continental V provides instant access to these amazing sounds and more.
Wurli V2 Piano Wurli 200A can sound not only soft, but also from soft to hard and bold. This harsher sound made him popular in rock music.
Whats new 7
New instruments
Mellotron v
Legendary Tape Keyboard
The original instrument redefined it. It has been shown that it has been completely re-instated.
Synthi v
British Silver Machine
It is a quirky British “silver machine” An advanced component modeling of the mix.
CZ V
Phase Distortion Cult Classic
The budget synth that became a legend in its own right. This is what you now read at your command. It is a huge modulation potential and effects.
Updates
Analog Lab 4
Inspire, Create, Combine, and Perform
Easy to browse, fun to control, and a new built-in live mode.
B-3 V 2
The Popular Organ Reborn
Total sound engine overhaul.
Synthopedia
Cutting edge presets
Over 800 brand new, modern sounds created for legacy V Collection instruments. The “hottest synths” and “chart-topping keys” are yours to explore.
Mellotron v
Legendary Tape Keyboard
The original instrument redefined it. It has been shown that it has been completely re-instated.
Synthi v
British Silver Machine
It is a quirky British “silver machine” An advanced component modeling of the mix.
CZ V
Phase Distortion Cult Classic
The budget synth that became a legend in its own right. This is what you now read at your command. It is a huge modulation potential and effects.
Updates
Analog Lab 4
Inspire, Create, Combine, and Perform
Easy to browse, fun to control, and a new built-in live mode.
B-3 V 2
The Popular Organ Reborn
Total sound engine overhaul.
Synthopedia
Cutting edge presets
Over 800 brand new, modern sounds created for legacy V Collection instruments. The “hottest synths” and “chart-topping keys” are yours to explore.
Doesn’t work, demo mode…
Try : — To execute the application : — “execute as administrator “
— To open your D.A.W. : the same !
Same problem, demo mode
DEMO MODE. PLEASE FIX THIS
Does this work?
Is there the V7 for Mac?