Lynda.com – Learning Modular Synthesis: Arturia Modular V (TUTORIAL)

By | February 3, 2022

 

Release year: 2017
Manufacturer: Lynda.com
Manufacturer website: Lynda.com
Author: Chris Meyer
Duration: 3h. 8min.
Handout type: Video tutorial
English language
Sample files: none
Video Format: MP4
Video: MPEG4 Video (H264) 1280×720 23.976fps 2450kbps [V: Telestream Inc. Dib Library – ReleaseVantage 2014.59.138974 [eng] (h264 main L4.0, yuv420p, 1280×720, 2450 kb/s)]
Audio: AAC 48000Hz stereo 159kbps [A: Telestream Inc. Dib Library – ReleaseVantage 2014.59.138974 [eng] (aac lc, 48000 Hz, stereo, 159 kb/s)]


Description : One of the most exciting areas in creating music is modular synthesis, where in order to create your own instrument you need to connect the fundamental blocks of a synthesizer together. In this course, music industry veteran and synth designer Chris Meyer uses Arturia Modular V, a realistic emulation of the original Moog modular synth from the 60s and 70s, to teach you how to make modular synth patches so you can create your own sounds. x years. the last century. Chris starts with the basics of how harmonics and sound work, as well as how to wire modules together. He goes on to take a one-on-one look at the main modules, explaining the differences between waveform shapes, filter types, and further, he shows how to use them in a musical context. Part 3 covers advanced approaches such as FM and AM, as well as how to use Arturia’s Modular V effects and advanced filters. building blocks of a synthesizer to create your own instrument. In this course, music industry veteran and synth designer Chris Meyer uses the Arturia Modular V softwareβ€”a realistic emulation of the original Moog modular synths of the 1960s and 1970sβ€”to teach you how to “patch” a modular synth to create your own sounds . Chris starts with the fundamentals of how harmonics and sound work, as well as how to connect the modules together. He then goes through the main modules individually, explaining the differences between oscillator waveshapes, filter types, and more, while demonstrating how to use them in a musical context. The third chapter teaches advanced techniques such as frequency and amplitude modulation, as well as using the effects and advanced filters in Arturia Modular V.

Content :
Introduction
1.Welcome
2. Fundamental concept Harmonics and sound
1.Running Modular V
1.Installation and initialization
2. The user interface
3. Creating your first patch
2.Basic Synthesis Techniques
1. Using multiple oscillators (VCOs)
2. The basic analog waveforms
3. The classic low-pass filter (LP VCF)
4. Attack_decay_sustain_release (ADSR) envelopes
5. The high-pass filter (HP VCF)
6. Using the Filter Coupler (band pass and reject modes)
7. The 2-pole multimode filter
8. Low-frequency oscillator (LFO) wave shapes
9. Pulse-width modulation (PWM)
10. Tremolo with LFO delay and fade-in
11. Controlling the LFO with the mod wheel
12. Adding vibrato
3. Getting More Complex
1. Oscillator sync
2. Frequency modulation (FM)
3.FM drum sounds
4. Modulating the filter
5. Amplitude and ring modulation (AM)
6. The Fixed Filter Bank
7. The formant filter
8. Adding noise
9. Sample and hold (S-H)
10. Trigger delay
11.Dual audio delay
12. The chorus effect
13. 12-stage phaser
Conclusion
1. Exploring further (01:09)


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