Year/Release Date : February 20, 2025
Version : 1.0.
Developer : JMG Sound.
Developer’s Website : https://unitedplugins.com/CyberdriveCore.
Format : VST, VST3, AAX. Bit
Depth : 64bit.
Tablet : cured.
System Requirements : Windows.
- 34.3 MB
Description : We have the most powerful distortion system in the world, but for some tasks, three distortion blocks, a feedback module, and additional effects are not necessary. That’s why we created a convenient, fast, and simple version of Cyberdrive. CyberdriveCore is an easy-to-use tool that gives immediate results and saves your computer’s resources. It contains the same 64 distortion models as its “big brother.”
Main functions :
A Multiverse of Distortion Models :
Choose from 64 distortion types in eight distinct categories, each carefully crafted to offer a wide range of sonic possibilities. The Control knob allows you to fine-tune the distortion character by adjusting parameters unique to each model, giving you precise control over the sonic signature of your sound.
Analog Modeling :
Cyberdrive’s three distortion categories offer realistic hardware simulations. You can recreate the warmth and character of analog gear (Classic), capture the essence of iconic guitar pedals (Pedal), or harness the power of renowned guitar and bass amps (Amp).
Shape and Shred :
Other distortion categories allow you to experiment. The “Modern” section features dynamic distortions and waveform compression using cutting-edge technologies like multiband companders. Add digital chaos with bit-crushing, sample-rate reduction, and glitches (Pixel), or refine your audio with waveform compression techniques like straightening and asymmetrical cutting (Shape).
Automatic Gain :
Compensation quickly adapts to your current settings and ensures the output is as loud as the input. This prevents you from even thinking that something sounds better. In some cases, it’s simply louder.
64-bit audio quality at ANY sampling rate :
This plugin delivers the highest possible audio quality. It uses internal 64-bit audio processing and can work with any sampling rate, including 192 kHz and even higher.
Intelligent Bypass:
The intelligent bypass control system in our plugins ensures that you won’t hear any clicks or other unwanted sounds when automating a parameter. It also compensates for latency, ensuring perfect synchronization of bypass states.
Possibilities :
MODEL – select one of 64 distortion types. Models are grouped into the following 8 categories:
CLASSIC — contains models of analog devices such as tubes, tape recorders, transistors, diodes, etc.
MODERN – contains complex multi-band distortions, convolutions and companders.
PIXEL – contains various forms of bit compression, speed reduction, digital degradation, noise, glitches, etc.
SHAPE — contains waveformers of various types, including those for straightening, inverse transformation, asymmetrical cutting, etc.
AMP – contains models of famous guitar and bass amplifiers.
PEDAL — contains models of famous guitar pedals.
DOOM – Contains extremely heavy custom distortion types.
FREAK — contains experimental sound distortion techniques such as ring mod, feedback, frequency modulation, spectral modulation, etc.
MIX – regulates the ratio of dry and wet mixture.
DRIVE — adjusts the signal level going to the distortion unit. Its effect varies depending on the distortion unit model, but it typically increases distortion, resulting in more harmonics and compression.
CONTROL – modifies the distortion character, which varies in each model. This can include changing the bit depth, the waveform curve, the filter within the saturated feedback loop, the offset, or many other parameters.
FILTER – Each distortion module contains a powerful and flexible filter system that is used to shape the tone and character of the distortion.
MODE – select type:
FILTER is a high-pass and low-pass filter that filters out everything above and below specified frequencies.
MULTI — multi-band crossover, all frequencies above and below the set ones will pass as a dry signal.
SLOPE — select a filter or crossover type: 6 dB, 12 dB, 24 dB, 48 dB and 96 dB.
HP – Adjusts the frequency of the high-pass filter or low-pass crossover (depending on the mode)
LP – adjusts the frequency of the low-pass filter or high-pass crossover (depending on the mode)
HP PRE – Determines whether the high-pass filter will be placed before the distortion device.
LP PRE – Determines whether the low-pass filter will be placed before the distortion.
AGC — enables automatic gain compensation. The device continuously measures the input signal level and compensates the output signal to match the input; this can affect dynamics. Manual control of static gain compensation using the “out” knob is safer.
CLIP – Enables a hard clipper at the output of the distortion module to prevent peaks above 0 dB.
