Diva’s oscillators, filters and envelopes (which can be mixed and matched) closely model components also found in some of the great monophonic and polyphonic synthesizers of yesteryear. “But,” says Urs, “what truly sets DIVA apart is the sheer authenticity of the circuit emulations – at the cost of a relatively high CPU-hit, DIVA is the first native… Read More »
Gladiator is a powerful synthesizer based on the concept of Advanced Harmonic Content Morphing (HCM) Synthesis. It supports an extensive list of synthesis types: Harmonic Content Morphing (HCM3), Frequency Modulation (FM), Amplitude Modulation (AM), Phase Distortion (PD), Pulse Width Modulation (PWM), Phase Modulation (PM), oscillator sync, wave shaping, supersaw, resynthesis sounds, vocoding, additive and sample playback modes.… Read More »
Absynth is a synthesizer with unique sonic potential. Its specialty is a limitless spectrum of unusual, evolving sounds created using the powerful, hybrid synthesis architecture and sophisticated modulation and effect system – resulting in sounds far removed from the everyday. What’s more Absynth is not just a synthesizer, but a powerful effect plug-in for treating audio tracks… Read More »
With FM8 Native Instruments has harnessed the power of FM synthesis. Features: FM synthesizer with extended sound architecture and high-quality mode. KoreSound Browser for easy searching of 960 KORE-configured presets (Incl. FM7 Sounds Vol I & II). FM8 uses the KoreSound format, ensuring perfect integration with KORE. Optimized user interface for quick and convenient sound editing. Powerful,… Read More »
Strobe2 is a software polysynth which puts diverse new sounds effortlessly within your reach. It builds on the original’s realistic analogue modelling and deep but intuitive synthesis with a slew of enhancements and requested features. Highlights include a stunning effects section, revamped arpeggiator, deeper modulation processing, preset-morphing, randomizing and a scalable vector interface for retina and 4K… Read More »
TAL-BassLine-101 is a monophonic bass synthesizer and a very accurate emulation of the popular hardware device. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects. Its 24 dB zero feedback delay low pass filter has a very smooth and authentic sound without any digital artifacts,… Read More »
TAL-U-NO-LX is a fully rewritten emulation of the popular hardware with a new engine and GUI. Up to date zero feedback delay filters and carefully calibrated controls make this synth a good replacement for the analog device with all the advantages software plugins have. As an addition, the TAL-U-NO-LX also supports portamento and different filter LFO waveforms… Read More »
Rob Papen Soundware has announced availability of BLUE-II, an all-new reworking of its BLUE soft synth for Mac OS X (10.6 or higher) and Windows (Vista, 7, and 8). First released in 2005, after namesake company founder and sound designer Rob Papen formed the RPCX (Rob Papen ConcreteFX) partnership with music software developer Jon Ayers, BLUE… Read More »
Nave is a Wavetable Synth The Nave sound engine includes two novel wavetable oscillators with sonic possibilities way beyond the scope of conventional wavetable synthesis. While the spectrum of a sound can be transposed independently of its pitch, the waves can be rendered from perfectly periodic to very noisy and anywhere in between. Especially sounds with an… Read More »
Ample Guitar L II aim to bring the Alhambra Luthier Classic Guitar sound to your studio. Changes: Added Cycle+ Feature. When toggled on, sample cycles can reach up to 24 (default is 8), which significantly enhances repetitive notes. No more bland and robotic ‘machine gun effect’. Added automatic stroke noise applied to solo mode, making riffs more… Read More »
4 Oscillator subtractive synthesiser featuring informative displays, editable step sequencer, vocal filter, integrated distortion and analog control. Plugin Boutique & Samplify Present Carbon Electra. Carbon Electra is a powerful and intuitive synth built by producers, for producers. It’s a four-oscillator subjective synth with a modern feature set. It has been developed as an advanced learning tool whilst… Read More »
Rayblaster employs a new synthesis technique called Impulse Modelling Synthesis (IMS) Opposed to using looped waveforms, Impulse Modelling Synthesis creates its sound by using short bursts of energy, which are then combined to form its sound. Allowing free manipulation of pitch, time and timbre in real-time, to create complex compositions. IMS no longer requires a separate filter… Read More »
Obscurium is a generative synthesizer and timbral organism. Feeding on scales, chords and synthesis, producing vivid harmonics paired with an elaborate aesthetic. It is the source of a dazzling array of organic and lively sounds, delivering spherical pads, bubbly arpeggios and deadly percussion attacks. The playful user interface streamlines the complexity of the inner workings: You… Read More »
Steinberg has release Retrologue 2, a major update to the virtual analog synthesizer. The update brings more oscillators, new filter types, a Resonator, more modulation options, more effects, a programmable arpeggiator and hundreds of new presets. Features: Optimized for low CPU load. Over 700 presets, covering classic analog synth sounds and more Intuitive interface for fast sound… Read More »
Ample Bass J II aim to bring the Fender Jazz Bass(John English Masterbuilt) sound to your studio. Changes: Added Cycle+ Feature. When toggled on, sample cycles can reach up to 24 (default is 8), which significantly enhances repetitive notes. No more bland and robotic ‘machine gun effect’. Added automatic stroke noise applied to solo mode, making riffs… Read More »
Electra2 is equipped with a high quality sound engine, multi layer support and a large range of music production features, all using a friendly hands-on interface that ensures first-timers can easily create sounds and experts can take their designs as deep as they want to. Featuring 1200 production-ready sounds designed by professional sound designers. A comfortable patch… Read More »
BFD3 is the third generation of FXpansion’s flagship software acoustic drum studio: new levels of realism and ground-breaking features in an intuitive redesigned engine. With stunning new kits, mix-ready presets and modelling technology for tom resonance and cymbal swells, BFD3 delivers uncompromising detail. The revamped interface has a new mixer and sound browser for the easiest BFD… Read More »
AGT Extension (Finger) aims to bring the Taylor 714CE acoustic guitar sound to your studio. It is recorded using same guitar with AGT, but with finger picking. Sysem Requirements: 5.33 GB of free hard disk space. Windows XP or newer, Pentium 4 or Athlon processor with 2 GB RAM. Mac OS X 10.7 or higher, Intel-based Mac with… Read More »
Ample Bass P II (ABP) aim to bring the Fender Precision Bass sound to your studio. Sampling: 2851 Samples, Size: 3.60 GB, 24bit 44.1khz DFD(Direct from disk) Rich Fingering Noise – more vivid and realistic Each Cycle & Rhombic Sampling structure – Separate sample cycle for each note and vel layer to improve sample utilization Sustain,… Read More »
Ample Metal Eclipse II (AME) aim to bring the ESP Eclipse I Guitar sound to your studio. Sampling: Size: 3.5 GB, 24-bit 44.1kHz. DFD (Direct from disk). Each Cycle & Rhombic Sampling structure – Separate sample cycle for each note and vel layer to improve sample utilization efficiency. Sustain, Hammer On & Pull Off, Legato Slide, Slide… Read More »
