Publisher: Sample Market
Website: samplemarket.co.uk/samples/originals-liquid-earth
Format: WAV
Quality: 24-bit 44.1 kHz stereo
- 1.14 GB
Description: We’re incredibly excited to welcome Liquid Earth to our Original Artist Series! Fusing house, tech-house, breakbeat, and influences from the 90s progressive scene, he delivers over 1 GB of cutting-edge sounds and samples that reflect his signature groove and innovative style. Content
Loops:
55 Percussion Loops
25 Drum Loops
50 Synth Loops
41 Bass Loops
30 Atmos & Pads
Full Groove Breakdowns:
10 Full Grooves
113 loops in total
FX & One-Shots:
39 FX Loops, Risers & Hits
17 Vocals
22 FX Shots
21 Synth Shots
Additional information”
The singular brand of house music that Taylor Freels produces as Liquid Earth is uniquely transatlantic, infusing the rhythmic sensibilities of London and Berlin with the sun-soaked serenity of his native California. Part ’80s sleaze, part ’90s deepness, part ’00s wiggle, Freels makes dance music cocktails that pop like a twist of lime hitting seltzer. Melodic, crisp, and always refreshing, each track by the California-native is singularly recognizable as he refashions vintage sounds for the clubs of tomorrow.
More than just a producer, Freels knows how to pack a punch behind the decks, moving from classic West Coast Breaks to UK tech house with aplomb and mastery. His bookings and podcasts have been pilling up like hot cakes with best-in-class mixes for the likes of Honey Soundsystem, Butter Side Up and Faciendo and DJ appearances from Dimensions Festival to Panorama Bar.
This exclusive pack features over 400 loops and samples, meticulously crafted and recorded with highly sought after analog gear to deliver authentic warmth, depth, and character. Each sound is designed for maximum usability across a wide range of underground dance genres, making it an essential toolkit for producers seeking both inspiration and professional-qualiy sonics.
Loops play within 115–155 BPM. All loops are tempo-labeled, and all melodic loops are also key-labeled.
