Year/Release Date : 10.2025
Version : 2025.10
Developer : TBProAudio
Developer’s website : www.tbproaudio.de
Format : VST, VST3, AAX
Bit depth : 32-bit, 64-bit
Tablet : cured_V.R.
System requirements : Windows 7-11 (x32/x64), OpenGL 2.1 GFX card
SSE2 capable CPU
- 67.7Â MB
Description : 70 megabytes of professional plugins!
TBProAudio develops audio tools that help music producers work faster and better. We use the latest algorithms and standards (e.g. EBU R128) to ensure our clients receive the highest quality.
Included :
ABLM v2.2.11 – AB Loudness Match is a gain control that enables consistent and accurate comparison of effects chains (AB).
Most DAWs can easily enable/disable (AB) individual plugins or even entire effects chains, but in most cases, there is an audible volume difference between them. To objectively compare the impact of a plugin chain, the volume of the incoming signal should match the volume of the outgoing signal.
Comparing plugin effects at the same volume avoids the “louder is better” fallacy.
AMM v2.1.2 – Automatic Microphone Mixer offers several advanced mixing modes and expanded control options for each channel.
AMM can be used to quickly mix a discussion round, a multi-speaker dialogue, or even an audio conference using up to 32 microphones into a stereo signal.
AMM supports multichannel configurations: from mono to 32 stereo channels, depending on the DAW’s capabilities.
CS-5501 v2.10.1 – Extended Channel Strip
NEW: 2x PreAmp
NEW: 2x Transient Shaper
NEW: HMF and LMF bell/shelf filter type
UPDATE: improved spectrum display
UPDATE: improved oscilloscope display
UPDATE: VST2->VST3 migration
FIX: small DSP fixes
dEQ6 v4.4.3 – Dynamic Equalizer / Multiband Compressor – controls the filter gain of each band using a compressor/expander. This reduces or increases the gain in a specific frequency range depending on the program material. The detector signal for the compressor/expander is processed by a pre-filter, which is controlled by the center frequency and Q factor of the dynamic filter. This ensures that the compressor/expander is activated only by content within the specified frequency range.
dpMeter v5.3.6 – Free Multi Channel Meter
dpMeterXT v3.1.3 – Broadcast Loudness Meter
DSEQ v3.9.10 – Dynamic Spectral Equalizer
DynaRide v2.0.21 – Vocal & Bass Riding Leveller is an advanced gain control plugin with multiple detector programs, sidechain support, and a switchable pre-delay. DynaRide can also improve the output signal by limiting gain control to specific audio signals, such as speech, vocals, and bass.
Euphonia3 v3.0.21 – Spectrum Matching. Euphonia is a plugin for optimal audio spectrum balancing that automatically equalizes any audio input based on several standard averaged spectral curves.
Using Euphonia immediately after final mixing your music can eliminate missing low and high frequencies, mixing errors, general spectrum balancing issues, and even compensate for unfavorable listening conditions.
FinalLoud v3.0.27 – Loudness & True Peak Finalizer Tool.
FinalLoud quickly solves a very common problem in audio engineering: achieving a specific target loudness level for any audio material while maintaining the specified True Peak limit.
That’s why FinalLoud combines a gain control, a high-quality True Peak limiter, and an accurate loudness meter in a user-friendly interface. The gain control boosts the loudness to the target value, while the limiter simultaneously ensures the True Peak limit is reached.
GainRider v3.0.28 – Vocal Gain Riding Leveller is a vocal gain management tool that provides complete control over the process. It offers more control algorithms and reduces plugin latency.
gEQ12V4 v4.4.16 – 12-Band Graphic Equalizer
GSat+ v1.3.10 – Free Saturator
Impress v3.5.3 – Compressor
ISOL8 v2.8.1 – Free Mix Monitoring Tool
LA xLimit IV v4.3.0 – Enhanced Limiter
mvMeter2 v2.6.6 – Free Multivariable Meter
SLM2 v2.1.17 – Smart Loudness Maximizer SLM2 is an intelligent stereo signal loudness maximizer that incorporates “analog spice” and 16x oversampling. The goal was to maximize the loudness of an audio signal while maintaining transparency.
The SLM2 digital signal processor analyzes each sample of the incoming stereo signal over a specified time interval and calculates the optimal loudness increase. This ensures maximum transparency.
Overall loudness can be further increased using an optional limiting stage. Signal aliasing can be reduced by enabling oversampling.
SLM2 is used in all limiting applications, such as track/bus limiting and master channel limiting.
ST1 v2.1.7 – Spatial Tool
sTilt v2.3.12 – Free Spectrum Tilt Filter
TBPAMove v1.1.4 – Rhytmic Filter consists of two independent filters and a high-resolution oscilloscope.
Each filter parameter (resonance, cutoff, gain, and pan) can be controlled via DAW automation and a modulator. DAW automation can be customized (delay, smoothing, and mixing with standard settings). The following modulation types are available: sidechain, LFO, step sequencer, or multi-stage envelope generator.
TBPAVolume v1.0.10 – Free Volume Gain. TBPAVolume allows you to control the audio signal volume independently of the mixing console’s volume fader. This is useful for adjusting gain/volume between different plugins in a chain or for volume modulation/automation.
